Five Days that Changed the World

Five Days that Changed the World : Vocal score

  • Sheet music
By (composer) 

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for upper-voice choir, SATB choir, piano, and optional timpani Setting a newly written text by Charles Bennett, this fifteen-minute choral work takes singers on a journey through five historical events: the invention of printing, the abolition of slavery, the first powered flight, the discovery of penicillin, and the first man in space. In each movement, music and words come together to create a strikingly vivid and personal account of each protagonist's experience, from the printer seeing 'each letter like a person' to the astronaut commenting on the beauty of our planet from space. Chilcott's music is as captivating as ever, with energy in abundance alongside moments of clarity and stillness. This is an ideal concert work for choirs looking to perform with an upper-voice group, or for larger SATB choruses with divisi sopranos and altos. The optional timpani part is printed separately at the back of the more

Product details

  • Sheet music | 48 pages
  • 217 x 278 x 4mm | 158g
  • Oxford University Press
  • Oxford, United Kingdom
  • 0193390086
  • 9780193390089
  • 1,459,158

Table of contents

Thursday 29 March 1455: The Invention of Printing ; Friday 1 August 1834: The Abolition of Slavery ; Monday 14 December 1903: The First Powered Flight ; Friday 28 September 1928: The Discovery of Penicillin ; Wednesday 12 April 1961: The First Man in Spaceshow more

Review quote

These five striking songs make a fine suite, well within the capabilities of good amateur singers, as long as they have an excellent pianist and percussionist available. * Gwyn Parry-Jones,, July 2015 * Five Days is an emotionally stirring piece that demonstrates the composer's ingenuity in choral writing and accompaniment . . . Even though the movements are to be performed together, each one would be just as stunning alone. * Alan Denney, Choral Journal (US), Sept 2016 *show more

About Bob Chilcott

Bob Chilcott has been involved with choral music all his life, first as a Chorister and then a Choral Scholar at King's College, Cambridge. Later, he sang and composed music for 12 years with the King's Singers. His experiences with that group, his passionate commitment to young and amateur choirs, and his profound belief that music can unite people, have inspired him both to compose full-time and, through proactive workshopping, to promote choral music more