Everything Is Cinema : The Working Life of Jean-Luc Godard
A landmark biography explores the crucial resonances among the life, work, and times of one of the most influential filmmakers of our ageWhen Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images--cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a--if not the--key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.In "Everything Is Cinema," critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers."Everything Is Cinema" confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.
- Hardback | 701 pages
- 162 x 242 x 41mm | 1,107g
- 13 May 2008
- Henry Holt & Company Inc
- Metropolitan Books (imprint of Henry Holt & Company)
- New York, NY, United States
- black & white illustrations
"Richard Brody's biography of Godard--arguably the most important, enigmatic, and exciting filmmaker of the second half of the 20th century--effortlessly weaves intellectual history, a personal saga, and an authoritative reading of the films themselves into a seamless web. It virtually crackles with intelligence, and is a must read for anyone interested in cinema."--Peter Biskind, author of "Gods and Monsters: Thirty Years of Writing on Film and Culture""Full of lucid analysis and human context, Richard Brody's book performs a heroic act in rescuing Godard and his growing shelf of works from the prison of myth and theory, from the cult of youth and the cult of the '60s, restoring him to his place as an engaged, hard-working artist."--Jonathan Lethem, author of "The Fortress of Solitude""Godard changed the movies as much as the American masters he grew up on: Welles, Hawks, Hitchcock, and the rest. He is as original as Picasso--but unlike Picasso, he has been denied the biography he has always deserved. This is it. Just at the moment when the New Wave turns fifty, Richard Brody has given us "Everything is Cinema," a remarkable book which describes with sharp intelligence a great and elusive artist's times, intellect, passions, and work."--Wes Anderson, writer and director of "Rushmore," "The Royal Tenenbaums," and "The Life Aquatic"""Everything Is Cinema "is better than a biography, it is a novel. And a great novel, in which one discovers the story of a man who almost picked the wrong art form, a struggling writer who became an immense filmmaker."--Bernard-Henri Levy, author of "American Vertigo"
About Richard Brody
Richard Brody, a film critic and editor at "The New Yorker," is also an independent filmmaker who lives in New York City. "Everything Is Cinema" is his first book.