EXPERIMENTAL PSYCHOLOGY OF BEAUTY

EXPERIMENTAL PSYCHOLOGY OF BEAUTY

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Description

Originally published in 1962, the experimental study of aesthetics was a field particularly associated with the name of C.W. Valentine, who in this book provided a critical review of research carried out since the end of the nineteenth century principally by British and American psychologists. The investigations described, many of them conducted by the author, are concerned with individual responses to what is commonly regarded as beautiful in painting, music, and poetry, an important distinction being made between the perception of objects as âbeautifulâ as opposed to âpleasingâ. The reactions of children and adults, and of people having different ethnic and social backgrounds, are explored in a variety of experiments dealing with specific elements, including colour, form, and balance in painting; musical intervals, discord, harmony, melody, and tempo; and rhythm, metre, imagery, and associations in classical and romantic poetry. Other experiments seek to disclose the temperamental and attitudinal factors underlying individual differences in the judgement and appreciation of specific works of art. Of particular interest are the studies of responses to modern paintings, poems and musical compositions. The findings throw light on the development of discrimination and taste and suggest the possibility of some common factor in the appreciation of these three arts. It was felt that critics as well as psychologists and aestheticians would find much to encourage reflection and to stimulate further research.show more

Product details

  • Paperback | 454 pages
  • 139.7 x 215.9mm | 848.22g
  • TAYLOR & FRANCIS
  • ROUTLEDGE
  • English
  • 1138899887
  • 9781138899889

Table of contents

1. Introduction  2. Colour and Colour Preferences  3. Attitudes to Colours and Combinations of Colours  4. Form: Lines, Shapes and Suggested Movement  5. Balance and Symmetry  6. The Appearance of Aesthetic Appreciation in Young Children  7. Experiments with Pictures  8. Further Experiments with Pictures and with Photographs of Objets DâArt  9. Some Reactions to Modern Art  10. Musical Intervals and Attitudes to Music  11. Some Special Aspects of and Factors in Listening to Music  12. Music and the Expression of Emotions or âMeaningâ  13. Experiments on the Appreciation of Poetry  14. Experiments with Modern Poetry  15. Conclusion.  Appendix â Correlations.  Index of Names.  Index of Subjects.show more