The Domain of Images

The Domain of Images

3.82 (11 ratings by Goodreads)
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In the domain of visual images, those of fine art form a tiny minority. This original and brilliant book calls upon art historians to look beyond their traditional subjects-painting, drawing, photography, and printmaking-to the vast array of "nonart" images, including those from science, technology, commerce, medicine, music, and archaeology. Such images, James Elkins asserts, can be as rich and expressive as any canonical painting. Using scores of illustrations as examples, he proposes a radically new way of thinking about visual analysis, one that relies on an object's own internal sense of organization.Elkins begins by demonstrating the arbitrariness of current criteria used by art historians for selecting images for study. He urges scholars to adopt, instead, the far broader criteria of the young field of image studies. After analyzing the philosophic underpinnings of this interdisciplinary field, he surveys the entire range of images, from calligraphy to mathematical graphs and abstract painting. Throughout, Elkins blends philosophic analysis with historical detail to produce a startling new sense of such basic terms as pictures, writing, and notation.
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Product details

  • Paperback | 304 pages
  • 178 x 254 x 16mm | 28g
  • Ithaca, United States
  • English
  • 5 tables, 105 halftones, 48 line drawings
  • 0801487242
  • 9780801487248
  • 785,879

Review quote

"For whatever reason, some of the most daring, experimental writing in the field of art history is now coming out of Chicago.... Purely in terms of output, Elkins is phenomenal.... His work is about 'art history on the edge,' about aspects of art and design that defy categorization and that easily fall through the cracks." * Ballast Quarterly Review * "James Elkins will deliver more pleasurable reflections per square image than you ever dreamed possible from an art historian." * Toronto Globe and Mail *
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About James Elkins

James Elkins teaches in the Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago. His books include The Object Stares Back, On the Nature of Seeing, What Painting Is; and, also from Cornell, The Poetics of Perspective.
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Rating details

11 ratings
3.82 out of 5 stars
5 36% (4)
4 18% (2)
3 36% (4)
2 9% (1)
1 0% (0)
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