Documentary
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Documentary

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Description

The revival of documentary in art, considered in historical, theoretical, and contemporary contexts.

After a long period in eclipse, documentary has undergone a marked revival in recent art. This has been spurred by two phenomena: the exhibition of photographic and video work on political issues at Documenta and numerous biennials; and increasing attention to issues of injustice, violence, and trauma in the war zones of the endemically conflict-ridden twenty-first century. The renewed attention to photography and video in the gallery and museum world has helped make documentary one of the most prominent modes of art-making today. Unsurprisingly, this development has been accompanied by a rich strain of theoretical and historical writing on documentary.

This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.

Artists surveyed include:
Kutlug Ataman, Ursula Biemann, Hasan Elahi, Harun Farocki, Omer Fast, Joan Fontcuberta, Regina Jose Galindo, David Goldblatt, Craigie Horsfield, Alfredo Jaar, Emily Jacir, Lisa F. Jackson, Philip Jones Griffiths, An-My Le, Renzo Martens, Boris Mikhailov, Daido Moriyama, Walid Raad, Michael Schmidt, Sean Snyder

Writers include:
James Agee, Ariella Azoulay, Walter Benjamin, Adam Broomberg, Judith Butler, Oliver Chanarin, Georges Didi-Huberman, John Grierson, David Levi Strauss, Elizabeth McCausland, Carl Plantinga, Jacques Ranciere, Martha Rosler, Jean-Paul Sartre, Allan Sekula, W. Eugene Smith, Susan Sontag, Hito Steyerl, Trinh T. Minh-ha
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Product details

  • Paperback | 240 pages
  • 154 x 209 x 22mm | 567g
  • MIT Press
  • Cambridge, Mass., United States
  • English
  • New
  • 0262518295
  • 9780262518291
  • 105,576

Review quote

As an introduction to some of the most important thinking on documentary art... the book is a clear success, both encouraging discourse and pointing the way to further reading.

--Publishers Weekly
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About Professor of Art History Julian Stallabrass

Julian Stallabrass is Professor of Art History at the Courtauld Institute of Art, London. He is the author of Art Incorporated: The Story of Contemporary Art, High Art Lite: The Rise and Fall of Young British Art, and other books.
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Rating details

22 ratings
4.4 out of 5 stars
5 50% (11)
4 41% (9)
3 9% (2)
2 0% (0)
1 0% (0)
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