The Dialectics of Seeing

The Dialectics of Seeing : Walter Benjamin and the Arcades Project

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Description

Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen Werk, or Arcades Project, as it might have taken form. Working with Benjamin's vast files of citations and commentary which contain a myriad of historical details from the dawn of consumer culture, Buck-Morss makes visible the conceptual structure that gives these fragments philosophical coherence. She uses images throughout the book to demonstrate that Benjamin took the debris of mass culture seriously as the source of philosophical truth. The Paris Arcades that so fascinated Benjamin (as they did the Surrealists whose materialist metaphysics he admired) were the prototype, the 19th century ur-form of the modern shopping mall. Benjamin's dialectics of seeing demonstrate how to read these consumer dream houses and so many other material objects of the time--from air balloons to women's fashions, from Baudelaire's poetry to Grandville's cartoons--as anticipations of social utopia and, simultaneously, as clues for a radical political critique. Buck-Morss plots Benjamin's intellectual orientation on axes running east and west, north and south--Moscow Paris, Berlin-Naples--and shows how such thinking in coordinates can explain his understanding of dialectics at a standstill. She argues for the continuing relevance of Benjamin's insights but then allows a set of afterimages to have the last word.
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Product details

  • Paperback | 512 pages
  • 152 x 229 x 24mm | 680g
  • MIT Press
  • Cambridge, United States
  • English
  • Revised ed.
  • 0262521644
  • 9780262521642
  • 245,760

Back cover copy

Walter Benjamin's magnum opus was a book he did not live to write. In The Dialectics of Seeing, Susan Buck-Morss offers an inventive reconstruction of the Passagen-Werk, or Arcades Project, as it might have taken form.
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Review quote

Buck-Morss has written a wonderful book. Although rigorously analytic, the book doesn't sacrifice those qualities in Benjamin's writing that are not reducible to method. His lyrical, hallucinatory evocation of the city as a place of dreams, myths, expectations.--Herbert Muschamp, Artforum--


Wonderfully imaginative...Like Benjamin, Buck-Morss is a surrealist explorer, her mysteries unraveled by intuition, revealed by illusion.

--Eugen Weber, The New Republic--
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About Susan Buck-Morss

Susan Buck-Morss is Professor of Political Philosophy and Social Theory, Department of Government, and Professor of Visual Culture, Department of Art History, Cornell University.
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Rating details

1,064 ratings
4.37 out of 5 stars
5 55% (589)
4 30% (316)
3 12% (130)
2 2% (19)
1 1% (10)
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