Descended from Hercules
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Descended from Hercules : Biopolitics and the Muscled Male Body on Screen

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Description

Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s.Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero's body in a world that is lavishly eroticized but without sexual desire. These"sword and sandal" films represent a century-long cinematic biopolitical intervention that offers the spectator an imagined form of the male body-one free of illness, degeneracy, and the burdens of poverty-that defends goodness with brute strength and perseverance, and serves as a model of ideal citizenry.Robert A. Rushing traces these epic heroes from Maciste in Cabiria in the early silent era to contemporary transnational figures like Arnold Schwarzenegger in Conan the Barbarian, and to films such as Zach Snyder's 300.Rushing explores how the very tactile modes of representation cement the genre's ideological grip on the viewer.
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Product details

  • Paperback | 230 pages
  • 152 x 229 x 15.24mm | 295g
  • Bloomington, IN, United States
  • English
  • 20 b&w illus.
  • 0253022509
  • 9780253022509

Table of contents

Acknowledgements
A Note on Film Titles and Foreign Language Citations
Introduction: Descended from Hercules: A Peplum Genealogy
1. Nos Morituri: Time in the Peplum
2. Pre/Post: Sexuality in the Peplum
3. Skin Flicks: The Haptic Peplum
4. Immune Systems: The Peplum as Biopolitical Genre
Conclusion: Biopolitical Fantasy
Filmography
Works Cited
Index
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Review quote

Despite the broad swath of the cultural terrain covered, the book presents a meaningful analysis of the peplum genre's longitudinal engagement with nationalist ideologies. * Choice *
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About Robert A. Rushing

Robert A. Rushing is Associate Professor of Italian and Comparative Literature at the University of Illinois, Urbana-Champaign, where he also holds affiliate appointments in Media and Cinema Studies and the Unit for Criticism and Interpretive Theory. He is author of Resisting Arrest: Detective Fiction and Popular Culture and co-editor of Mad Men, Mad World: Sex, Politics, Style, and the 1960s.
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