Deconstructing Disney

Deconstructing Disney

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Description

Demonising Disney is nothing new. Disney films have long been synonymous with a certain conservative, patriarchal, heterosexual ideology, occupying a centre-stage position at the heart of the evil empire. Deconstructing Disney takes issue with knee-jerk polarities, overturning classical oppositions and recognising that, just as the Disney 'text' has changed, so too must the terms of critical engagement.

This book is a sharply focused deconstruction of the political culture - and the cultural politics - of the Disney canon in the years since the emergence of the so-called New World Order. Eleanor Byrne and Martin McQuillan offer a critical encounter with Disney which alternates between readings of individual texts and wider thematic concerns such as race, gender and sexuality, the broader context of American contemporary culture, and the global ambitions and insularity of the last great superpower. The movies discussed include The Little Mermaid, The Lion King, Pocohontas, Snow White, Bedknobs and Broomsticks, Dumbo, Peter Pan, The Jungle Book, Hercules and Mulan.
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Product details

  • Hardback | 224 pages
  • 135 x 215 x 28.19mm | 453.59g
  • London, United Kingdom
  • English
  • notes, references, bibliography, index
  • 0745314562
  • 9780745314563

Table of contents

Acknowledgements

Introduction. Duckology: Political narrative in the age of deconstruction

1. A Specter is Haunting Europe: Disney Rides Again Inter-mission

2. Socialisme ou barbarie: Welcoming Disney

3. Domesticated Animus: Engendering Disney

4. Spectrographies: Conjuring Disney

5. You Can't Lionise the Lion: Racing Disney

6. Its the Economy Stupid: Bill `n' Disney

7. King of the Swingers: Queering Disney

8. Democracy Limited: Impeaching Disney

Epilogue: Disney Work

Filmography

Index
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Review quote

'What could could be more innocent that Disney animated films? Eleanor Byrne and Martin McQuillan set out to prove how wrong that assumption is in their ideological critique. They join the growing number of critics who argue that Disney's hegemony in the contemporary world ... insightful and uncanny' -- Scope: Online Journnal of Film Studies
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About Eleanor Byrne

Eleanor Byrne is a Lecturer in post-Colonial Literature at University College Worcester and writes on aspects of culture and postcoloniality. Martin McQuillan is Professor of Literary Theory and Cultural Analysis and Dean of the Faculty of Arts and Social Sciences at Kingston University, London, where he is also Co-Director of The London Graduate School He is the author, along with Eleanor Byrne, of Deconstructing Disney (Pluto, 1999), Paul de Man (Routledge, 2000) and editor of The Narrative Reader (Routledge, 2000), Theorising Muriel Spark (AIAA, 2002) and The Politics of Deconstruction (Pluto, 2007).
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Rating details

20 ratings
2.95 out of 5 stars
5 5% (1)
4 20% (4)
3 50% (10)
2 15% (3)
1 10% (2)
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