Libby Day was just seven years old when her older brother massacred her family while she hid in a cupboard. Her evidence helped put him away. Ever since then she has been drifting, surviving for over twenty years on the proceeds of the 'Libby Day fund'. But now the money is running out and Libby is desperate. When she is offered $500 to do a guest appearance, she feels she has to accept. But this is no ordinary gathering. The Kill Club is a group of true-crime obsessives who share information on notorious murders, and they think her brother Ben is innocent. Ben was a social misfit, ground down by the small-town farming community in which he lived. But he did have a girlfriend - a brooding heavy metal fan called Diondra. Through her, Ben became involved with drugs and the dark arts. When the town suddenly turned against him, his thoughts turned black. But was he capable of murder? Libby must delve into her family's past to uncover the truth - no matter how painful...
- Paperback | 448 pages
- 130 x 198 x 28mm | 294g
- 03 Jan 2013
- Orion Publishing Co
- Phoenix (an Imprint of The Orion Publishing Group Ltd )
- London, United Kingdom
- Mass Market Paperback
The sole survivor of a family massacre is pushed into revisiting a past she'd much rather leave alone, in Flynn's scorching follow-up to Sharp Objects (2006).On a January night in 1985, Michelle Day, ten, was strangled, her nine-year-old sister, Debby, killed with an ax, and their mother, Patty, stabbed, hacked and shot to death in the family farmhouse. Weeks after jumping out a window and running off in the Kansas snow, Libby Day, seven, testified that her brother Ben, 15, had killed the family, and he was sent to prison for life amid accusations of sex and Satanism. End of story - except that now that the fund well-wishers raised for Libby has run dry, she has to raise some cash pronto, and her family history turns once more into an ATM. A letter from Lyle Wirth promises her a quick $500 to attend the annual convention of the Kill Club, whose members gather to trade theories about unsolved crimes. When self-loathing Libby (`Draw a picture of my soul, it'd be a scribble with fangs`) realizes that none of the club members believes her story, she reluctantly agrees to earn some more cash by digging up the leading players: Ben, whose letters she's never opened; their long-departed father Runner, who's as greedy and unscrupulous as Libby; Krissi Cates, the little girl who'd spent the day before the murders accusing Ben of molesting her; and Ben's rich, sleazy girlfriend Diondra Wertzner. Flynn intercuts Libby's venomous detective work with flashbacks to the fatal day 24 years ago so expertly that as they both hurtle toward unspeakable revelations, you won't know which one you're more impatient to finish. Only the climax, which is incredible in both good ways and bad, is a letdown.For most of the wild story's running time, however, every sentence crackles with enough baleful energy to fuel a whole town through the coldest Kansas winter. (Kirkus Reviews)
Gutsy thriller of one woman pitted against her murderous brother. WOMAN & HOME In a brilliantly interwoven plot, Gillian Flynn keeps the reader balanced on a knife-edge TANGLED WEB Gillian Flynn is a great writer, equally able to ratchet up the suspense as creaet memorable characters and pervasive moods. This is a great and original piece of rural noir. CATHOLIC HERALD
About Gillian Flynn
Gillian Flynn was the chief TV critic for ENTERTAINMENT WEEKLY and now writes full-time. Her first novel SHARP OBJECTS was the winner of two CWA DAGGERS and was shortlisted for the GOLD DAGGER.
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On of those books you just can't stop reading. Awesome.show moreby Pilar Ramirez Tello