Culture, Class, Distinction
In doing so they re-appraise the relationships between class, gender and ethnicity, music, film, television, literary, and arts consumption, the organisation of sporting and culinary practices, and practices of bodily and self maintenance. As the most comprehensive account to date of the varied interpretations of cultural capital that have been developed in the wake of Bourdieu's work, Culture, Class, Distinction offers the first systematic assessment of the relationships between cultural practice and the social divisions of class, gender and ethnicity in contemporary Britain.
It is essential reading for anyone interested in the relationships between culture and society.
- Paperback | 316 pages
- 156 x 230 x 20mm | 557.92g
- 21 Sep 2009
- Taylor & Francis Ltd
- London, United Kingdom
- black & white tables, figures
Other books in this series
21 Sep 2009
19 Sep 2011
Table of contents
-Craig Calhoun, President of the Social Science Research Council
'Culture, Class, Distinction defines the new research frontier in the sociological understanding of the intersection of culture and inequality. Resolutely empirical in orientation, the authors creatively build on and go beyond the seminal work of Pierre Bourdieu to consider simultaneously symbolic boundaries in the context of racial and ethnic diversity, gendered patterns of cultural preferences, specific fields of cultural practices (reading, music, the visual arts, the body), and much more. Social scientists within and beyond the UK have much to learn from this ambitious and path-breaking collective research.'
-Michele Lamont, Professor of Sociology at Harvard University.
'A superb achievement: at once a cogent theoretical reappraisal of Bourdieu's masterwork of 20th century sociology, and a uniquely wide-ranging study, offering powerful insights, into the changing contours of culture in British society today. Like Distinction, this book will remain a centrepiece of international sociology.'
-Georgina Born, Professor of Sociology, Anthropology and Music, University of Cambridge
'Culture, Class, Distinction is the most sophisticated mapping of British cultural practices and preferences ever undertaken. Using cutting-edge techniques of statistical analysis and engaging critically with the sociology of culture developed by Pierre Bourdieu, it explores the cultural dimensions of class, gender and ethnicity across a range of fields. This is a major contribution to understanding the roots of social inclusion and exclusion in British life, and a complex and subtle piece of social theory.'
-John Frow, Professor of English at School of Culture & Communication University of Melbourne
'The amount of labour that has gone into this work is nothing short of impressive. One can only be grateful for the information produced by the authors concerning the relation between social location and cultural practice in Britain today. But the book does a lot more than this. It offers a highly nuanced analysis of this information. It is an excellent example of how one can innovate theoretically while doing empirical research.'
-Ghassan Hage, Professor of Anthropology and Social Theory, University of Melbourne
'Bennett et al. will have a deservedly wider appeal. Anyone who teaches Distinction should draw on this work both for its empirical findings and the quality of its assessment of the arguments made by Bourdieu.'
-Ted Ulas, University of Sussex, in Cultural Sociology
'[Takes] advantage of the detail and scope of a customized nationally representative survey and of accompanying rich qualitative information to untangle the intricate distinctions of class, gender, age, and ethnicity that characterize cultural differences in contemporary Britain.'
-Ivaylo D. Petev, Stanford University, in European Sociological Review, Oct 2010
About Modesto Gayo-Cal
Tony Bennett is Research Professor of Social and Cultural Theory in the Centre for Cultural Research at the University of Western Sydney, and a Professorial Fellow in the Faculty of Arts at the University of Melbourne. Recent publications include Pasts Beyond Memory: Evolution, Museums, Colonialism; New Keywords: A Revised Vocabulary of Culture and Society (edited with Larry Grossberg and Meaghan Morris) and Handbook of Cultural Analysis (edited with John Frow).
Mike Savage is Professor of Sociology at the University of Manchester and Director of the ESRC Centre for Socio-Cultural Change (CRESC). His interests are in social stratification, urban, and historical sociology.
Elizabeth Silva is Professor of Sociology at the Open University and a member of the ESRC Centre for Research on Socio-cultural Change (CRESC). Her current research interests include social divisions, gender, cultural sociology, everyday life and qualitative methods. Recent publications include Cultural Analysis: Bourdieu's Legacy (edited with Alan Warde, forthcoming), Contemporary Culture and Everyday Life (edited with Tony Bennett) and various journal articles on Bourdieu, cultural capital, gender, visual art and qualitative methods.
Alan Warde is Professor of Sociology at the University of Manchester. His current research interest include the sociology of consumption, with particular emphasis on food, cultural sociology, social stratification and economic sociology.
Modesto Gayo-Cal is an Assistant Professor in the School of Sociology at Diego Portales University, in Santiago de Chile. His main areas of interest are: middle class politics, cultural participation and inequalities, and theories of nationalism. He was a research fellow on the Cultural Capital and Social Exclusion Project at the ESRC Centre for Research on Socio-cultural Change (CRESC), based at the University of Manchester.
David Wright has published extensively in the field of cultural sociology and is an Assistant Professor in Cultural Policy Studies at the University of Warwick. He was a research fellow on the Cultural Capital and Social Exclusion Project at the ESRC Centre for Research on Socio-cultural Change (CRESC), based at the Open University.