Crossing Paths

Crossing Paths : Schubert, Schumann, and Brahms

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Description

In Crossing Paths, John Daverio explores the connections between art and life in the works of three giants of musical romanticism. Drawing on contemporary critical theory and a wide variety of nineteenth-century sources, he considers topics including Schubert and Schumann's uncanny ability to evoke memory in music, the supposed cryptographic practices of Schumann and Brahms, and the allure of the Hungarian Gypsy style for Brahms and others in the Schumann circle. The book offers a fresh perspective on the music of these composers, including a comprehensive discussion of the 19th century practice of cryptogtraphy, a debunking of the myth that Schumann and Brahms planted codes for "Clara Schumann" throughout their works, and attention to the late works of Schumann not as evidence of the composer's descent into madness but as inspiration for his successors. Daverio portrays the book's three key players as musical storytellers, each in his own way simulating the structure of lived experience in works of art. As an intimate study of three composers that combines cultural history and literary criticism with deep musicological understanding, Crossing Paths is a rich exploration of memory, the re-creation of artistic tradition, and the value of artistic influence.show more

Product details

  • Hardback | 322 pages
  • 162.6 x 236.2 x 27.9mm | 498.96g
  • Oxford University Press Inc
  • New York, United States
  • English
  • New
  • numerous music examples, 2 halftones
  • 0195132963
  • 9780195132960

Review quote

Like all first-rate musicological work, the book blends purposeful speculation with meticulous research. * Notes * Daverio's book is filled with original and suggestive insights that will undoubtedly stimulate continuing inquiry into the questions that they raise. Musicologists will welcome it as an important contribution to nineteenth-century studies. * Notes * ... there are several illuminating and ground-breaking discussions in this book. * Nineteenth-Century Music Review *show more

About John Daverio

John Daverio was Professor of Music, Director ad interim, and Chairman of the Musicology Department of the School of Music at Boston University.show more

Table of contents

PART I: SCHUMANN'S ONE AND ONLY SCHUBERT; PART II: UTTERING CLARA IN TONES; PART III: A NOBLE MODELshow more

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