Cop Shows

Cop Shows : A Critical History of Police Dramas on Television

3.33 (3 ratings by Goodreads)
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From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them - according to the ratings, we love them - they serve a function. They've entertained, informed and sometimes infuriated audiences for over 60 years.

This book attempts to explain why, but also to facilitate learning about the genre in higher education, making these shows ""teachable"" in a way they have never been before. Today not only are there more critical texts available, but, in the age of the download and the boxed set, the raw material is there. This collection of essays examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified.

It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness their card and says, ""call me,"" that witness always ends up on a slab?
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Product details

  • Paperback | 228 pages
  • 178 x 254 x 11.68mm | 408.23g
  • Jefferson, NC, United States
  • English
  • 0786448199
  • 9780786448197

Review quote

"smart and informative...valuable...excellent"--Classic Images; "thoughtful overview of the history of police dramas"--HARTS & Minds: The Journal of Humanities and Arts.
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About Roger Sabin

Roger Sabin is Reader in Popular Culture at Central Saint Martins, University of the Arts London. He has written several books, and reviews for the international press. He lives in London, United Kingdom.

Linda Speidel has published an article on The Wire in the journal Darkmatter and peer reviews for other journals. She now works for a charitable organisation and co-runs a community cinema. She lives in York, United Kingdom.

Ronald Wilson is a Lecturer at the University of Kansas where he teaches courses on film genre and theory. He has recently published an essay on director Don Siegel in Film Noir: The Directors. He has also published essays and book chapters on crime films and television. He lives in Lawrence, Kansas.

Ben Bethell is an Associate Lecturer at Central Saint Martins. He lives in London, United Kingdom.
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