Colour and Culture

Colour and Culture : Practice and Meaning from Antiquity to Abstraction

4.27 (105 ratings by Goodreads)
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Colour is fundamental to life and art: yet so diverse is it that it has hardly ever been studied in a comprehensive way. Is it above all a radiant visual stimulus, an intangible function of light, or a material substance to be moulded and arrayed? What does the language of colour tell us? Where does one colour begin and another end?

John Gage considers every conceivable aspect of the subject in a groundbreaking analysis of colour in Western culture from the ancient Greeks until the late twentieth century. He describes the first theories of colour, articulated by philosophers from Democritus to Aristotle, and subsequent attempts by the Romans and their Renaissance disciples to organize it systematically or endow it with symbolic power. He unfolds its religious significance and its use in heraldry. He explores the experimental analysis of the spectrum undertaken by Newton and continued in the nineteenth century by artists such as Seurat, traces the influence of Goethe's colour theory, and considers the extraordinary theories and practices that attemped to unite colour and music, or make colour into an entirely abstract language of its own.

The twentieth century is often called the period when colour has finally come into its own. This is the first-ever attempt to examine seriously what this claim means, and to suggest answers to many perennial questions about the role of colour in Western art and thought. It will be of consuming interest to artists, historians of art and culture, psychologists, linguists, and anyone fascinated by this most inescapable and evocative element of our perceptions.
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Product details

  • Paperback | 336 pages
  • 250 x 279 x 29mm | 2,060g
  • London, United Kingdom
  • English
  • New ed
  • 103 Illustrations, black and white; 120 Illustrations, color
  • 0500278180
  • 9780500278185
  • 155,870

Table of contents

Introduction; the classical inheritance; the fortunes of Apelles; light from the east; a Dionysian aesthetic; colour-language, colour-symbols; unweaving the rainbow; "Disegno" versus "Colore"; the peacock's tail; colour under control: the reign of Newton; the palette: "Mother of All Colours"; colours of the mind: Goethe's legacy; the substance of colour; the sound of colour; colour without theory: the role of abstraction; acknowledgments; notes to the text; concordance.
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Review quote

'In its wonderfully lucid command of detail, as well as in many other ways, this book is exemplary.' - Richard Wollheim in The Times Literary Supplement 'No one interested in painting can afford not to study it' - London Review of Books 'An altogether outstanding and seminal book' - The Tablet 'A good many of it chapters are likely to remain the standard treatment of their respective topics for years to come' - Sir Ernst Gombrich
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About John Gage

John Gage was the former Head of the Department of History of Art at Cambridge University. He is an acknowledged international authority on the history of art and colour and has written many books on the
subject, including Colour and Culture and Colour and Meaning, both published by Thames & Hudson.
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Rating details

105 ratings
4.27 out of 5 stars
5 49% (51)
4 31% (33)
3 18% (19)
2 2% (2)
1 0% (0)
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