Collected Poems

Collected Poems

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The work of an original, haunting and experimental woman modernist poet is made available again, for the first in 50 years. Lynette Roberts is principally a war poet, in that her two published collections take as their subject a woman's life in wartime. But she is also, or therefore, a love poet and a poet of the hearth. A late-modernist, she works on two scales at the same time: the mythic and the domestic. Those poets and readers who have valued Roberts' work have been experimentalists. Even at this distance, she challenges and instructs, at the level of diction, syntax and achieved form. She relentlessly opens out the language of poetry, she is free with extremes of subject, scale and conception, and her work has flourished in its very marginality. Now, with republication, she is restored as an extraordinary poet in the development of twentieth century British poetry. As a Welsh writer, her best work stands alongside that of her near-contemporaries, David Jones, R.S. Thomas and Dylan Thomas. As a woman poet, her work bears comparison with that of both Mina Loy and Djuna more

Product details

  • Paperback | 220 pages
  • 134 x 210 x 18mm | 240.41g
  • Carcanet Press Ltd
  • Manchester, United Kingdom
  • English
  • 1 Illustrations, 1 port.
  • 1857548426
  • 9781857548426
  • 269,720

Review quote

'Lynette Roberts is one of the few true poets now writing. Her best is the best...' - Robert Graves; 'She has, first, an unusual gift for observation and evocation of scenery and place, whether it is in Wales or her native South America; second, a gift for verse construction, influenced by the Welsh tradition, which is evident in her freer verse as well as in stricter forms; and third, an original idiom and tone of speech.' - T.S. more

Table of contents

Table of Contents Preface by Angharad Rhys Introduction by Patrick McGuinness Poems (1944) Poem from Llanybri The Shadow Remains Plasnewydd Low Tide Raw Salt on Eye The Circle of C Lamentation Broken Voices Earthbound Spring Rhode Island Red Ecliptic Blue Poem [We must uprise O my people.] Woodpecker Curlew Moorhen Seagulls Fifth of the Strata Thursday September the Tenth House of Commons Crossed and Uncrossed The Seasons Orarium In Sickness and in Health Blood and Scarlet Thorns Rainshiver Royal Mail The New World Argentine Railways Xaquixaguana River Plate Canzone Benedicto Cwmcelyn Notes on Legend and Form Gods with Stainless Ears. A Heroic Poem (1951) Preface Part I Part II Part III Part IV Part V Notes Uncollected and Unpublished Poems To a Welsh Woman Song of Praise Poem [In steel white land] Englyn Green Madrigal [I] Transgression The Hypnotist (Welsh Englyn) Love is an Outlaw These Words I Write on Crinkled Tin Two Wine Glasses Ty Gwyn The 'Pele' Fetched in A Shot Rabbit Llanstephan Madrigal Displaced Persons Saint Swithin's Pool Brazilian Blue It Was Not Easy Chapel Wrath Trials and Tirades Angharad Prydein Out of a Sixth Sense Green Madrigal [II] Premonition Mockery Red Mullet The Tavern The Temple Road The Grebe He alone could get me out of this The Fifth Pillar of Song Bruska's Song Pendine Release Downbeat Appendix Radio Talk on South American Poems El Dorado (1953) Patagonia (article published in Wales, V, 7, Summer 1945) Notes Index of First Linesshow more

About Lynette Roberts

Lynette Roberts was born in Buenos Aires of Welsh stock in 1909 and died in West Wales in 1995. She published two collections of poems in her lifetime, both from Faber and Faber: Poems (1944) and Gods with Stainless Ears (subtitled 'A Heroic Poem', 1951). She married the Welsh writer and editor Keidrych Rhys, and came to know some of the prominent writers and artists her day. T.S. Eliot was her publisher and advocate. Roberts helped Robert Graves with his work on The White Goddess, and Dylan Thomas was best man at her wedding. She was a friend of Wyndham Lewis (who painted her), Edith Sitwell (to whom she dedicated Gods with Stainless Ears) and Alun Lewis (for whom she wrote 'Poem from Llanybri'), and published in a variety of magazines in Britain and more

Rating details

12 ratings
4.66 out of 5 stars
5 75% (9)
4 17% (2)
3 8% (1)
2 0% (0)
1 0% (0)

Our customer reviews

Lynette Roberts only published one full collection of poems during her lifetime, but that collection (<em>Poems</em>, 1944) was brought out by Faber & Faber and edited by no less than T.S. Eliot. Today her work may have been almost forgotten, "but her vivid, modern, hot-blooded writing about a Welsh village and her time there during the Second World War" was very much appreciated back in the forties and fifties: <a href="/book/9780141182063/The-Complete-Poems">Robert Graves</a> -- no slouch himself when it came to poetry -- said she was "one of the few poets now writing." Her neglect is something of a scandal. <br /><br /> Roberts "was brought up in a wealthy family in Argentina but married a writer from Carmarthenshire in 1939 at the outbreak of war and spent the next nine years living in poverty in a Welsh-speaking village. She involved herself in every aspect of village life and despite being accused of being a spy found a fierce passion for the local people and the landscape." According to Patrick McGuinness -- whose excellent long introductory essay at the start of this edition of Robert's <a href="/book/9781857548426/Collected-Poems">Collected Poems</a> is a must read -- the fact that her work "communicated before it made sense" was, for T.S. Eliot, testament to its great strength. <br /><br /> You might not have heard of Lynette Roberts, but she is one Welsh war poet you really should read. Superb more
by Mark Thwaite
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