The Classic French Cinema, 1930-60

The Classic French Cinema, 1930-60

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Description

"We can usually expect something fresh and different to emerge from Australia, and this study is no exception." American Cinematographer"An important contribution to cinema history... especially impressive in its analysis of the French cinema industry, in terms of both mode of production and personnel, and in its analysis of the French technological base." Richard AbelFrom 1930 to 1960, France produced some of the most famous films ever made, such as Jean Vigo s Zero de conduite and Jean Cocteau s Orphee. Here Colin Crisp investigates this critical period and details the extraordinary ingenuity of French filmmakers, who worked under economic and technological constraints that affected both the production and the consumption of films."show more

Product details

  • Hardback | 512 pages
  • 160 x 236.2 x 30.5mm | 907.2g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 57 b&w photos
  • 0253315506
  • 9780253315502

Back cover copy

The three decades between 1930 and 1960 were one of the most creative periods in the history of cinema. During this era, films achieved a level of great sophistication, and in France this era produced some of the most famous films ever made - Jean Vigo's Zero de conduite. Rene Clair's A nous la liberte, Jean Renoir's Crime de M Lange, and Jean Cocteau's Orphee. In The Classic French Cinema, 1930-1960, Colin Crisp investigates the critical period from the introduction of sound to the beginning of the New Wave. He details the extraordinary ingenuity of French filmmakers who worked under economic and technological constraints that affected both the production and the consumption of films. In this comprehensive study, Crisp synthesizes a large body of work on the French cinema, most of it published only in French. At the same time, he radically re-writes aspects of the industrial history of the classic French cinema, shedding new light on its periodization and re-evaluating the extent of German influence on the French film industry's postwar organization. Crisp also reveals the New Wave filmmakers to be the natural heirs of the classic French cinema, rather than a break with the earlier tradition. Fully illustrated with over 50 black-and-white photos from these classic films, plus numerous charts, and figures.show more

About Colin Crisp

Colin Crisp, Associate Professor of Film Studies in the School of Film, Media and Cultural Studies, Faculty of Humanities at Griffith University, is author of Eric Rohmer: Realist and Moralist and Francois Truffaut."show more

Rating details

9 ratings
3.55 out of 5 stars
5 11% (1)
4 33% (3)
3 56% (5)
2 0% (0)
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