Cinema and Counter-History
Despite claims about the end of history and the death of cinema, visual media continue to contribute to our understanding of history and history-making. In this book, Marcia Landy argues that rethinking history and memory must take into account shifting conceptions of visual and aural technologies. With the assistance of thinkers such as Gilles Deleuze and Felix Guattari, Cinema and Counter-History examines writings and films that challenge prevailing notions of history in order to explore the philosophic, aesthetic, and political stakes of activating the past. Marshaling evidence across European, African, and Asian cinema, Landy engages in a counter-historical project that calls into question the certainty of visual representations and unmoors notions of a history firmly anchored in truth.
- Paperback | 328 pages
- 152.4 x 226.06 x 22.86mm | 430.91g
- 15 Apr 2015
- Indiana University Press
- Bloomington, IN, United States
- 37 b&w illus.
Time, memory, and representation are the key themes of Landy's volume, which is at once accessible, theoretical, and playful, dealing with cinema in all its forms. This dazzling display of virtuosity is a major work in Landy's long career. . . . Essential. * Choice *
About Marcia Landy
Marcia Landy is Distinguished Professor of English/Film Studies, with a Secondary Appointment in French and Italian, at University of Pittsburgh. She is author of Stardom, Italian Style: Screen Performance and Personality in Italian Cinema (IUP, 2008).
Table of contents
AcknowledgmentsIntroduction1. A Crisis of the Movement-Image and Counter-history2. History Growling at the Door: Horror and Naturalism3. Comedy, Theatricality, and Counter-history4. Minoritarian Cinematic Forms as Counter-history5. Memory, the Powers of the False, and BecomingEpilogueBibliographyIndex