Choral Fantasies : Music, Festivity, and Nationhood in Nineteenth-Century Germany
Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus embodied the possibilities and limitations of a participatory, national identity. Starting with the many public festivals at which the chorus was a featured participant, Minor's account of the music written for these occasions breaks new ground not only by taking seriously these often-neglected works, but also by showing how the contested ideals of German nationhood suffused the music itself. In situating both music and festive culture within the milieu of German bourgeois liberals, this study uncovers new connections between music and politics during a century that sought to redefine both spheres.
- Electronic book text
- 20 May 2012
- CAMBRIDGE UNIVERSITY PRESS
- Cambridge University Press (Virtual Publishing)
- Cambridge, United Kingdom
- 2 b/w illus. 37 music examples
'With an elegant lightness, Choral Fantasies is entirely persuasive in making us think about the chorus not as a ready-made means or compliant vessel for the communication of national or political aspirations but as an aesthetic and social imaginary associated with a German festival culture. Looking back to ancient Greece and Rome, the chorus reemerged in the music practices of the nineteenth century in a highly charged political atmosphere. This new and courageous exploration offers musically astute and politically revisionary readings of the choral works of Brahms, Liszt, and Wagner, and much more besides.' Lydia Goehr, Columbia University, New York 'Choral Fantasies is a penetrating study of the intricate workings of collective singing within the machinations of cultural nationalism in the nineteenth century. Minor draws up a carefully crafted and historically iridescent picture of changing notions of nationhood, the community and its charismatic leaders, from the cautious stirrings at the beginning of the century to the ebullient Hurrapatriotismus of the Bismarck years. With his sensitive musical observations and incisive reflections on historiography, Minor offers fascinating insights into the cultural work that choral music and choral singing performed in the nineteenth century.' Alex Rehding, Fanny Peabody Professor of Music, Harvard University, Massachusetts 'With admirable deftness, and an avoidance of the sociological or musicological jargon so often attendant upon such studies, Minor sketches a long-term shift in culture and class ...' R. J. Arnold, European History Quarterly
About Ryan Minor
Ryan Minor is Associate Professor of Music at the State University of New York at Stony Brook. His research focuses primarily on the musical and political culture of nineteenth- and early twentieth-century Germany, with special emphasis on opera, choral music and music's participation in the public sphere. He has published widely on Wagner and serves as an Associate Editor of The Opera Quarterly.
Table of contents
Introduction; 1. Choral fantasies from Beethoven to the Vormarz; 2. Memory and multiplicity in Felix Mendelssohn's 'Gutenberg' works; 3. Prophet and populace in Liszt's 'Beethoven' cantatas; 4. Songs and states in Brahms's Triumphlied and Wagner's Kaisermarsch; 5. Occasions and nations in Brahms's Fest- und Gedenkspruche.