Praise for "Can't and Won't
""Davis is an author who takes nothing for granted, even the form of the writing itself. Can a sentence be more than a sentence? How does experience reveal itself? These questions have been at the heart of Davis' career from the outset . . . 'Be regular and orderly in your life, so that you may be violent and original in your work, Flaubert famously cautioned, and the sentiment applies to "Can't and Won't." At the center of the book is the understanding that we can locate stories anywhere, that the most regular and orderly moments are, in fact, the most violent and original, that it is up to us to notice, to re-create, to preserve . . . In many ways, "Can't and Won't" is like a set of William Burroughs cut-ups, random moments juxtaposed, one against the other, until reality takes on the logic of a collage. Unlike Burroughs, though, Davis' intent is not to rub out the word. Rather, language is what gives shape to the chaos, allowing us to invest existence with a shape. That this shape is of our making, our invention is the point precisely." --David Ulin, "The Los Angeles Times""
""Some writers have the uncanny ability to slant your experiences. Read enough Lydia Davis and her stories start happening to you . . . Her stories have a way of affecting the sense so that indecision itself becomes drama and a mutual shrug between two strangers can take on more meaning. This is what the best and most original literature can do: make us more acutely aware of life on and off the page. To read Davis is to become a co-conspirator in her way of existing in the world, perplexity combined with vivid observation. Our most routine habits can suddenly feel radically new . . . Her work, which often consists of brief stories made up of seemingly mundane observations, resists classification and is especially immune to explanatory jibber-jabber. In a universe drowning in words, Davis is a respite .What she doesn't say is as important as what sheshow more