The Blazing World

The Blazing World

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Description

Artist Harriet Burden, consumed by fury at the lack of recognition she has received from the New York art establishment, embarks on an experiment: she hides her identity behind three male fronts who exhibit her work as their own. And yet, even after she has unmasked herself, there are those who refuse to believe she is the woman behind the men. Presented as a collection of texts compiled by a scholar years after Burden's death, the story unfolds through extracts from her notebooks, reviews and articles, as well as testimonies from her children, her lover, a dear friend, and others more distantly connected to her. Each account is different, however, and the mysteries multiply. One thing is clear: Burden's involvement with the last of her 'masks' turned into a dangerous psychological game that ended with the man's bizarre death. This is a polyphonic tour de force from the internationally acclaimed author of What I Loved, an intricately conceived, diabolical puzzle that explores the way prejudice, fame, money and desire influence our perceptions of one another.
Emotionally intense, intellectually rigorous, ironic and playful, The Blazing World is as gripping as it is thought-provoking. (P)2014 Hodder & Stoughton
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Product details

  • Sceptre
  • United Kingdom
  • Unabridged
  • Unabridged edition
  • 1444783254
  • 9781444783254

Review quote

Readers of Hustvedt's essay collections ... will recognize the writer's long-standing interest in questions of perception, and her searching intellect is also evident here. But as the story of Harry's life coheres ... it's the emotional content that seizes the reader ... As in her previous masterpiece, What I Loved (2003), Hustvedt paints a scathing portrait of the art world, obsessed with money and the latest trend, but superb descriptions of Harry's work - installations expressing her turbulence and neediness - remind us that the beauty and power of art transcend such trivialities ... Blazing indeed: not just with Harry's fury, but with agonizing compassion for all of wounded humanity. Kirkus (starred review) Hustvedt dissects the art world with ironic insight. Footnotes and academic references, a large cast of characters, a wide range of narrative voices, intellectual digressions, and occasional one-liners enrich this novel of the New York art scene. This is a funny, sad, thought-provoking, and touching portrait of a woman who is blazing with postfeminist fury and propelled by artistic audacity. Publishers Weekly As inventive in its telling as it is in its concept and subject matter. Arifa Akbar, i Hustvedt's fascination with art and artists, a prime subject in her fiction and essays, propels her sixth novel through a labyrinth of masquerade and betrayal to profoundly unsettling truths ... [she] subtly explores the intricate workings of the brain and the mysteries of the mind as she shrewdly investigates gender differences, parodies art criticism, and contrasts diabolical ambition and the soul-scouring inquiries of expressive art. A heady, suspenseful, funny, and wrenching novel of creativity, identity, and longing. Booklist (starred review)
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About Siri Hustvedt

Siri Hustvedt's first novel, The Blindfold, was published by Sceptre in 1993. Since then she has published The Enchantment of Lily Dahl, What I Loved, The Sorrows of an American and The Summer Without Men. She is also the author of the poetry collection Reading To You, and four collections of essays, Yonder, Mysteries of the Rectangle: Essays on Painting, A Plea for Eros and Living, Thinking, Looking, as well as the memoir The Shaking Woman: A History of My Nerves. Born in Minnesota, Siri Hustvedt now lives in Brooklyn, New York. She has a PhD in English from Columbia University and in 2012 was awarded the International Gabarron Prize for Thought and Humanities. www.sirihustvedt.net
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