Black Feminism in Contemporary Drama
In tracing black feminism in contemporary drama by black women playwrights, Lisa M. Anderson reviews the history of black feminism through analysis of plays by Pearl Cleage, Glenda Dickerson, Breena Clarke, Kia Corthron, Suzan-Lori Parks, Sharon Bridgforth, and Shirlene Holmes. Black Feminism in Contemporary Drama represents a cross section of women who have diverse writing and performance styles and generational differences that highlight the artistic and political breadth of black feminist theater. Anderson closely investigates each play\u2019s construction and the context of its production, including how the play critiques, shifts, or alters dominant culture stereotypes; how it positions goals of the \u201ccommunity\u201d; and how it engages with the concept of art\u2019s function. She not only discusses what shapes the black feminism of these writers but also points out how the meaning of the term black feminism shifts among them.
- Hardback | 152 pages
- 162.56 x 236.22 x 20.32mm | 385.55g
- 26 Nov 2008
- University of Illinois Press
- Baltimore, United States
"A stimulating reading that weaves together black feminist theater and black women's histories."--SIGNS "Enormously valuable for its range of playwrights. . . . With its focus on texts and intertextuality, the contributors maintain a blend of criticism, cultural history, and theatre history."--Theatre Survey "The present volume probes a large sample of the dramatic literature and therefore achieves a deeper inquiry. . . . Recommended."--Choice
About Lisa M. Anderson
Lisa M. Anderson is an associate professor of women and gender studies at Arizona State University and the author of Mammies No More: The Changing Image of Black Women on Stage and Screen.