A Bird Dance near Saturday City
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A Bird Dance near Saturday City : Sidi Ballo and the Art of West African Masquerade

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Description

In 1978, Patrick McNaughton witnessed a bird dance masquerade in the small town of Dogoduman. He was so affected by this performance that its dazzling artistic power has never left him. As he revisits that very special evening in A Bird Dance near Saturday City, McNaughton carefully considers the components of the performance, its pace, the performers, and what the entire experience means for understandings of Bamana and West African aesthetics and culture. The performance of virtuoso dancer Sidi Ballo becomes McNaughton's vehicle for understanding the power of individuals in African art and the power of aesthetics as a cultural phenomenon. Topics such as what makes art effective, what makes it "good," how production is wrapped in individual virtuosity, and what individual artistry suggests about society reveal how individuals work together to create the indelible experience of outstanding performance. This exuberant and captivating book will influence views of society, culture, art, history, and their makers in West Africa for years to come.show more

Product details

  • Paperback | 328 pages
  • 154.94 x 233.68 x 25.4mm | 498.95g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 1 b&w photos, 24 color photos, 1 maps
  • 0253219841
  • 9780253219848
  • 1,679,769

Review quote

Just as the title captures our attention, so too does Ballo's larger-than-life bird masquerade. McNaughton is clearly not afraid of admitting to and appreciating the awe-inspiring power of art, and it is this appreciation that provides new ways of critically thinking about art, artistic behavior, and performance-both in Africa and more universally. * caa.reviews * . . . a book well worth reading about a galvanizing masquerade event; its star performer; the ideas and other people with whom he created the event; and the ramifications for the study of individuality, aesthetics, and the making of meaning and value. April 2009 -- Elisabeth den Otter * H-AfrArts * This work is theoretically informed, drawing on performance studies, critiques of ethnographic representation, radical empiricism, and praxis/agency theory, but thankfully, it is a terrific read, and uses this theory to clear the way for an informed and appreciative engagement in depth with human expression in context. September, 2011 * Journal of Folklore Research * [A] fascinating study of Sidi Ballo and his art of bird dancing from the Mande masking tradition. . . . This is a book that will be immensely useful to students and scholars of African cultures, performance, and orature. . . . [I]ts open style will appeal also to non-specialists or those with just a passing interest in Africa. * New Theatre Quarterly *show more

About Patrick R. McNaughton

Patrick McNaughton is Chancellor's Professor of African Art at Indiana University, Bloomington. He is author of Mande Blacksmiths (IUP, 1988).show more

Table of contents

ContentsAcknowledgmentsIntroduction: An Explosion of Art at DogodumanPart 1. The Bird Dance at Dogoduman1. The Performance2. How to View a Bird DancePart 2. Sidi Ballo and the Disposition of Individuals3. Sidi Ballo at Dogoduman4. A Closer Look at Sidi Ballo5. Individuals IntertwinedPart 3. From Dogoduman to an Aesthetic of Affect6. Sidi Ballo's Aesthetic Milieu7. Form Reconsidered in Mande Light8. A Mande Aesthetic Profile9. An Aesthetic of AffectPart 4. Making Meaning with a Bird10. Expanding the Beholder's Share11. An Atmosphere for Sidi Ballo's Bird DanceConclusion: Bird Masquerading Is Alive and WellNotesBibliographyIndexshow more

Rating details

4 ratings
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