Bigotry and the Afrocentric "Jazz" Evolution

Bigotry and the Afrocentric "Jazz" Evolution : Third Edition

3 (1 rating by Goodreads)
By (author) 

List price: US$59.95

Currently unavailable

We can notify you when this item is back in stock

Add to wishlist

AbeBooks may have this title (opens in new window).

Try AbeBooks

Description

The controversy surrounding the ownership of "jazz" involves an intersection of residual "slave mentality" (that insists African Americans contribute little to world society) combined with a perpetual mode of exploitation of artistic innovations that result from African American creativity. Examining the evolution of African American music within the context of its sociocultural history makes the most salient aspects of the roots of innovative "Black" music increasingly clear. The success of "jazz" and other African American music gradually attracted the attention of people around the world. As a consequence, many Eurocentric capitalists and institutions insist upon claiming ownership and control. Racism and sexism provoke illogical responses and behavior throughout society. As a result, many people love "jazz" while refusing to acknowledge the progenitors of the music. Nonetheless, after all is said and done, the innovators of all "jazz" styles remain Scott Joplin, Louis Armstrong, Mary Lou Williams, Billie Holiday, Duke Ellington, Count Basie, Ella Fitzgerald, Charlie Parker, Dizzy Gillespie, Miles Davis, John Coltrane, Donald Byrd, Cecil Taylor, Ornette Coleman, and other African American masters.show more

Product details

  • Paperback | 574 pages
  • 177.8 x 251.5 x 33mm | 1,292.75g
  • State University of New York Press
  • Global Academic Publishing
  • Binghamton, United States
  • English
  • Revised
  • 3rd Revised edition
  • Total Illustrations: 49
  • 1586842285
  • 9781586842284

Review quote

"Bigotry and the Afrocentric 'Jazz' Evolution will become required reading in all substantial music and departments of the arts. I immediately recognized the value of Hester's contribution to contemporary musicology. His book is an example of five stars authorship. Read it and enjoy." -- Donald Byrdshow more

About Karlton E. Hester

Karlton E. Hester, composer, flutist, and saxophonist, is Professor of Music and Director of "Jazz" Studies at the University of California, Santa Cruz.show more

Rating details

1 ratings
3 out of 5 stars
5 0% (0)
4 0% (0)
3 100% (1)
2 0% (0)
1 0% (0)
Book ratings by Goodreads
Goodreads is the world's largest site for readers with over 50 million reviews. We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Close X