Before the Chinrest
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Before the Chinrest : A Violinist's Guide to the Mysteries of Pre-Chinrest Technique and Style

4.87 (8 ratings by Goodreads)
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Description

Drawing on the principles of Francesco Geminiani and four decades of experience as a baroque and classical violinist, Stanley Ritchie offers a valuable resource for anyone wishing to learn about 17th-18th-and early 19th-century violin technique and style. While much of the work focuses on the technical aspects of playing the pre-chinrest violin, these approaches are also applicable to the viola, and in many ways to the modern violin. Before the Chinrest includes illustrated sections on right- and left-hand technique, aspects of interpretation during the Baroque, Classical, and early-Romantic eras, and a section on developing proper intonation.show more

Product details

  • Paperback | 168 pages
  • 215.9 x 274.32 x 15.24mm | 317.51g
  • Indiana University Press
  • Bloomington, IN, United States
  • English
  • 260 music exx. and 1 b&w illustration
  • 0253223180
  • 9780253223180
  • 506,754

Review quote

'Before the Chinrest' is aimed at modern violinists and viola players who are 'curious to learn about technique and style as understood and practised by their seventeenth and eighteenth-century predecessors', so it is designed as a practical guide and includes a wealth of information, musical examples and technical exercises... Ritchie divides the book into four sections: right-hand technique, left-hand technique, interpretation, and a technique and intonation practice guide. I found myself in agreement with a great number of his points about matters technical and interpretative, and many of his technical exercises would be extremely helpful to those new to period playing... Classical Music, Dec 2012 "Professor Stanley Ritchie shares his extensive experience distilled from 40 years of performing and teaching early violin, adding his thorough knowledge of historical sources on 17th and 18th century performance practice. He writes in an elegant, easy to follow style, using terms which a modern violinist can easily relate to... The book is practically based and best read with a violin in hand-in fact the last section, which amounts to one third of the book, consists of an extensive exercise system for left hand intonation and technique. Here is an exceptionally useful resource for all violinists." -Stringendo "Violinists will... find in this book much that is useful and valuable, since it is drawn from Ritchie's many years of experience playing and teaching the instrument." -Early Music America "Useful and elegantly written, Stanley Ritchie's book will be a most valuable resource to accomplished modern violinists wishing to learn to play the baroque violin." -Marc Destrube, violinist "[Ritchie's] book is accessible and authoritative, and moves what was once specialist information into the mainstream. Moreover, he may just inspire us to spice our music-making with the kind of informed variety and contextual fidelity that would do justice to one of history's most diverse and fecund periods of invention." -Early Music "Before the Chinrest includes many thoughtful suggestions on both technique and musical expression, and its numerous musical exercises... will no doubt greatly assist violinists seeking to perform the Baroque and Classical repertoire in a stylistically appropriate manner." -Performance Practice Reviewshow more

About Stanley Ritchie

Stanley Ritchie is an internationally recognized violinist, teacher, and recording artist. He is a professor at the Jacobs School of Music at Indiana University Bloomington and the 2009 recipient of the Howard Mayer Brown Award for Lifetime Achievement in the Field of Early Music.show more

Table of contents

Preface and AcknowledgementsHow to Support the Pre-Chinrest ViolinI. Right Hand Technique General Observations 1. Tone Production Basic Right-Hand Technique The Importance of Arm Weight The Use of Arm Weight 2. Bow-Strokes Lifted strokes Slurred notes Retaking Z-bowing Martele and Spiccato Sautille Bariolage Ondeggiando 3. Chordal Technique 4. Bow Division 5. Swift-Bows 6. Combination StrokesII. Left-Hand Technique 7. Position-Changing Exercises Some Basic Concepts The Position Of The Left Hand The Swing Shifting Half-position VibratoIII. Interpretation 8. Expression Affect and rhetoric The role of analysis The importance of the bass-line The tyranny of the barline The significance of metre Shaping notes and gestures Beware of the beam! The trouble with notation The reality of rubato 9. Dynamics and Nuance Harmony Melody Figures of musical speech (i) Repetition (ii) Sequences (iii) Tessitura (iv) The question (v) The exclamation (vi) Silence 10. Tempo Metrical symbols Harmonic motion Technical complexity Affective words Cautionary and qualifying words Baroque dance movements 11. Ornamentation Symbolic Notated ornaments Un-notated ornaments 12. Baroque Cliches The classic cadential formula Slurred articulations The hemiola Pulsations Suspensions Syncopations Melodic accents "Down-downs" The ultimate Baroque clicheIV. Technique and Practice Guide 13. Tuning A word about intonation Tuning Difference tones Difference tone exercise Visualizing Warm-up exercises A shifting exercise 14. Exercises Starting on First Finger Scales Broken Thirds Double-stopped Thirds Sixthsshow more

Rating details

8 ratings
4.87 out of 5 stars
5 88% (7)
4 12% (1)
3 0% (0)
2 0% (0)
1 0% (0)
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