Documentary-maker Aoyama hasn't dated anyone in the seven years since the death of his beloved wife, Ryoko. Now even his teenage son Shige has suggested he think about remarrying. So when his best friend Yoshikawa comes up with a plan to hold fake film auditions so that Aoyama can choose a new bride, he decides to go along with the idea. Of the thousands who apply, Aoyama only has eyes for Yamasaki Asami, a young, beautiful, delicate and talented ballerina with a turbulent past. But there is more to her than Aoyama, blinded by his infatuation, can see, and by the time he discovers the terrifying truth it may be too late Ryu Murakami delivers his most subtle and disturbing novel yet, confirming him as Japan's master of the psycho-thriller.
- Paperback | 208 pages
- 129 x 198 x 13mm | 181g
- 13 Jan 2010
- Bloomsbury Publishing PLC
- London, United Kingdom
About Ryu Murakami
Renaissance man for the modern age, Ryu Murakami has played drums for a rock group, made movies and hosted a TV talk show. His first novel, Almost Transparent Blue, written while he was still a student, was awarded Japan's most coveted literary prize and went on to sell over a million copies. He is also the author of In the Miso Soup and Piercing, both published in English by Bloomsbury. Ralph McCarthy is the translator of 69, In The Miso Soup and Piercing by Ryu Murakami and two collections of stories by Osamu Dazai.
'The prose in these passages is elegiac and affecting, but it has the sharp, visceral feel of the butcher's knife or surgeons scalpel a highly compulsive, one-sitting read, and Audition should add to the Renaissance Man's growing fanbase in the English speaking world' Irvine Welsh, Guardian PRAISE FOR PIERCING 'There are echoes here of Edgar Allan Poe and Dostoevsky - Murakami shares their fascination with the darkest layer of the soul, and the appalling isolation of the criminal. Creepy and gripping' The Times 'The fame, or even notoriety, of Ryu Murakami lies in his ability to write tightly plotted, well-written tales of violence, seedy sex and horror combined with a vivid sense of the neon-slashed but oppressive atmosphere of the Tokyo street, all underpinned with a fashionable nihilism' Sunday Telegraph 'A haunting Japanese version of a David Lynch nightmare' Guardian
Our customer reviews
I had seen the the film based on this before I read the book. Both are as good as each other, although I think maybe some people might be disappointed if they watch the film first then read the book and vice versa. However for me, since I have a very vivid imagination, I could picture the film in my head while I was reading this book. The film/book each have a slow pace, that builds the tension. This leads to one of the most memorable scenes in a book/film. (In my opinion, the part of the book at the hotel on-wards is the best part) I love this book, and I really enjoyed reading it, for a full day, because at the time, I was really ill, so this helped a lot. If you like Japanese cinema/culture or just Japanese or Korean Literature in general then I think you will enjoy reading this book, and watching the film. Although the pace sometimes, might be a little slow, for some people. Personally I am a huge fan of foreign literature, especially if it is set in Japan, Russian, Germany and it involves a crime, or it is a horror story. I also really like the dark humor in these types of books, when the main character is considering doing something out of character, and thinks of it in a funny way. I recommend this book, to fans of Japanese culture or foreign literature. I just ordered another book by this author, and I can't wait to read more of his work.show moreby Carly Nicholas