Art Since 1900 : Modernism * Antimodernism * Postmodernism
This is an updated and expanded second edition of the seminal book first published by Thames & Hudson in 2004, featuring 107 new illustrations and over 100 new pages, and completely updated throughout (including all reference sections). It introduces students to the key theoretical approaches to modern and contemporary art, enabling them to understand the many `voices' of current approaches to the subject. A flexible year-by-year structure and extensive cross-referencing allows teachers and students to pursue a chronological approach, and/or to study the currents of art since 1900 by medium, theme, country or region. It contains more than 120 essays (including fifteen new essays), each focusing on a crucial event in the history of art from 1900 to the present. The new essays cover subjects such as the De Stijl movement, the use of mannequins and the automaton in Dada, and modernist graphic design between the wars, as well as discussions of the global emergence of Chinese artists in recent years, the influence of gaming and social network technologies, and the impact of the market on current art practice. Text boxes provide further information on key figures and issues. A new final chapter is devoted to the first decade of the 21st century. Four introductions set out and explain the different methods of art history at work in the book. There are two roundtable discussions between the authors - one at mid-century, the other at the close of the book. All reference material has been updated.
- Hardback | 816 pages
- 216 x 277 x 60.96mm | 3,520g
- 09 Jan 2012
- Thames & Hudson Ltd
- London, United Kingdom
- Second edition
- 234 Illustrations, black and white; 510 Illustrations, color
'Archer's admirable overview treats the history of art of this period in a manner which does justice to its diversity and its complexity of inter-relations, between different aspects of artistic practice and the actualities of the world in which they operate... a?brave and intelligent attempt to live up to its implications' - Art Monthly
About Hal Foster
Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, Recording, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex. Rosalind Krauss is University Professor of Modern Art and Theory at Columbia University. Yve-Alain Bois is an author and professor of Art History at the Institute for Advanced Study, Princeton, New Jersey. Benjamin H. D. Buchloh is the Andrew W. Mellon Professor of Modern Art at Harvard University. David Joselit worked as a curator at The Institute of Contemporary Art in Boston from 1983 to 1989 where he co-organized several exhibitions including "Dissent: The Issue of Modern Art in Boston," "Endgame: Reference and Simulation in Recent Painting and Sculpture," and "The British Edge." He is Distinguished Professor of the History of Art at Yale University. Joselit is the author of Infinite Regress: Marcel Duchamp 1910-1941, Feedback: Art and Politics in the Age of Television, and American Art Since 1945.