Architecture's Desire

Architecture's Desire : Reading the Late Avant-Garde

4.02 (44 ratings by Goodreads)
By (author) 

Free delivery worldwide

Available. Dispatched from the UK in 10 business days
When will my order arrive?

Description

Theorizes an architectural ethos of extreme self-reflection and finality from a Lacanian perspective.

While it is widely recognized that the advanced architecture of the 1970s left a legacy of experimentation and theoretical speculation as intense as any in architecture's history, there has been no general theory of that ethos. Now, in Architecture's Desire, K. Michael Hays writes an account of the "late avant-garde" as an architecture systematically twisting back on itself, pondering its own historical status, and deliberately exploring architecture's representational possibilities right up to their absolute limits. In close readings of the brooding, melancholy silence of Aldo Rossi, the radically reductive "decompositions" and archaeologies of Peter Eisenman, the carnivalesque excesses of John Hejduk, and the "cinegrammatic" delirium of Bernard Tschumi, Hays narrates the story of architecture confronting its own boundaries with objects of ever more reflexivity, difficulty, and intransigence.

The late avant-garde is the last architecture with philosophical aspirations, an architecture that could think philosophical problems through architecture rather than merely illustrate them. It takes architecture as the object of its own reflection, which in turn produces an unrelenting desire. Using the tools of critical theory together with the structure of Lacan's triad imaginary-symbolic-real, Hays constructs a theory of architectural desire that is historically specific and yet sets the terms and the challenges of all subsequent architectural practice, including today's.
show more

Product details

  • Paperback | 216 pages
  • 137 x 203 x 13mm | 340g
  • MIT Press
  • Cambridge, Mass., United States
  • English
  • 4 color illus., 34 b&w illus.; 38 Illustrations, unspecified
  • 0262513021
  • 9780262513029
  • 85,324

Review quote

"At the very moment when the death of theory by the victorious sword of the real has been loudly proclaimed, Michael Hays' lyrical return to the 1970s when architecture first fully realized its potential to become a conceptual practice is both welcome and much needed. His close attention to key works by Hejduk, Eisenman, and Rossi uncovers striking connections between this commonly repressed substratum and the instrumental turn recently taken by architects such as Bernard Tschumi and Rem Koolhaas and persuasively turns the 'reality' of contemporary architecture upside down to reveal our new 'real' to be driven by forces more mysterious and intangible than ever."--Sylvia Lavin, Director of Critical Studies and MA/PhD Programs, UCLA Department of Architecture and Urban Design
show more

About K. Michael Hays

K. Michael Hays is Eliot Noyes Professor of Architectural Theory at Harvard's Graduate School of Design. In 2000 he was appointed the first Adjunct Curator at the Whitney Museum for American Art. He is the author, among other books, of Modern Architecture and the Posthumanist Subject (1995) and the editor of Architecture Theory since 1968 (2000), both published by the MIT Press.
show more

Rating details

44 ratings
4.02 out of 5 stars
5 34% (15)
4 36% (16)
3 27% (12)
2 2% (1)
1 0% (0)
Book ratings by Goodreads
Goodreads is the world's largest site for readers with over 50 million reviews. We're featuring millions of their reader ratings on our book pages to help you find your new favourite book. Close X