Alice Starmore's Book of Fair Isle Knitting
Starmore explains the traditional Fair Isle techniques of circular knitting and presents detailed tutorials on incorporating classic motifs, exploring color schemes, and creating unique patterns and designs. She shares fourteen of her own original designs, including patterns for cardigans, vests, fishermen's sweaters, hats, gloves, and mittens. More than 250 photographs, drawings, and easy-to-follow charts illustrate sources of inspiration, simple instructions, and spectacular results. Knitting devotees agree: If you have only one book of Fair Isle patterns, this is the one to have!
- Paperback | 208 pages
- 210.82 x 274.32 x 15.24mm | 907.18g
- 21 Aug 2009
- Dover Publications Inc.
- New York, United States
- Green ed.
- Illustrations, color
Other books in this series
21 Aug 2009
01 Jun 1972
19 Sep 2003
01 Jun 1972
31 May 2002
16 Sep 2010
01 Sep 1984
18 Mar 2015
Traditional Knitting Patterns from Scandinavia, the British Isles, France, Italy and Other European Countries
01 Jun 1973
About Alice Starmore
Alice Starmore has a fascinating tale to tell. We spoke to the author of the #1 crafts bestseller Alice Starmore's Book of Fair Isle Knitting about her knitting background, professional start, and more. Clearly, knitting is a deeply ingrained facet of the culture of Scotland's Outer Hebrides. Did your mother teach you to knit?
My mother taught me to knit when I was very young. She was a dressmaker as well as a knitter and our house was a place of constant creativity. I was also born at a time when most women knitted as a matter of course, and I had three aunts who had been fisher girls in their youth and were experts at making traditional fishermen's gansies. I understand that your first language is Gaelic -- do you still speak it?
Yes I still speak Gaelic. The Isle of Lewis, where I live, is in the Outer Hebrides -- the heartland of Gaelic and the only place where you will hear the language in everyday use. How did you get your start professionally?
I designed a small collection of knitwear in 1975 and successfully sold it in London boutiques. It was featured in a national newspaper and from that small beginning my knitting career evolved in ways that were quite unimaginable to me when I began. Your books are known and loved around the world, and you've adapted design elements from the textile arts of many countries into your repertoire. Are you still discovering "new" aspects of knitting and fabric arts from other cultures?
I am interested in everything. I find inspiration in all aspects of the world around me. There is enough inspiration in the natural world on my doorstep to last many lifetimes. I am also inspired by art, culture, history, science and music. My own culture features widely in my design work but I have always been interested in other cultures and in other places. My main problem is that I cannot possibly live long enough to produce work from the amount of ideas that come into my head.
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