Aisthesis : Scenes from the Aesthetic Regime of Art

4.07 (98 ratings by Goodreads)
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Composed in a series of scenes, Aisthesis - RancieÌ re's definitive statement on the aesthetic - takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and MallarmeÌ to the Folies-BergeÌ re, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. RancieÌ re uses these sites and events - some famous, others forgotten - to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism.
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Product details

  • Hardback | 304 pages
  • 154.94 x 236.22 x 30.48mm | 589.67g
  • London, United Kingdom
  • English
  • 1781680892
  • 9781781680896
  • 44,763

Review quote

""Jacques RancieÌ re's Aisthesis transforms the field of aesthetic philosophy." LibeÌ ration "French philosopher Jacques RancieÌ re is a refreshing read for anyone concerned with what art has to do with politics and society." Art Review "In the face of impossible attempts to proceed with progressive ideas within the terms of postmodernist discourse, RancieÌ re shows a way out of the malaise." Liam Gillick "It's clear that Jacques RancieÌ re is relighting the flame that was extinguished for many - that is why he serves as such a signal reference today." Thomas Hirschhorn"
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About Jacques Ranciere

JACQUES RANCIERE is Emeritus Professor of Philosophy at the University of Paris-VIII. His books include The Politics of Aesthetics, On the Shores of Politics, Short Voyages to the Land of the People, Proletarian Nights, Staging the People and The Emancipated Spectator.
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Rating details

98 ratings
4.07 out of 5 stars
5 37% (36)
4 43% (42)
3 13% (13)
2 5% (5)
1 2% (2)
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