Acting One

Acting One

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Description

Used to teach beginning acting on more campuses than any other text, "Acting One" contains twenty-eight lessons based on experiential exercises. The text covers basic skills, such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.
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Product details

  • Hardback | 288 pages
  • 167.64 x 231.14 x 20.32mm | 521.63g
  • McGraw-Hill Education - Europe
  • Mayfield Publishing Co ,U.S.
  • Boston, MA, United States
  • Multiple languages
  • Revised
  • 4th Revised edition
  • 076741859X
  • 9780767418591

Table of contents

Preface PART I. PREPARATION FOR ACTING Lesson 1: Preparing to Act Relaxation / Exercise 1-1 Relaxation / Trust / Exercise 1-2 Spine Lengthening / Exuberance / Exercise 1-3 BAM-POW, Dance, Sing / Discipline / Criticism / A Playful Attitude / Freedom / Preparation Lesson 2: What Is Acting? Exercise 2-1 Pledge Your Allegiance to a Flag PART II. THE ACTOR'S APPROACH Lesson 3: Goal and Obstacle Fundamental Principle / Exercise 3-1 Reaching / Exercise 3-2 Reaching for Goals / Exercise 3-3 Overcoming an Obstacle / Self-Consciousness / Exercise 3-4 Doing vs. Being / Projection / Exercise 3-5 Resonating / Exercise 3-6 Resonating (A Continuation) / Exercise 3-7 Goals Lesson 4: Acting with the 'Other' The Other / Exercise 4-1 Making Your Partner Smile / Interactive Dynamics / Exercise 4-2 Vulnerability / Exercise 4-3 Discovery / The Character / Tactics / Exercise 4-4 Using Tactics / Exercise 4-5 One Two Three Four Five Six Seven / Monologues / Exercise 4-6 Inventing the Other Lesson 5: Beginning to Act Contentless Scene / Exercise 5-1 Contentless Scene I / Intensifiers / Exercise 5-2 Intensifying / Physicalizers / Exercise 5-3 Varying Locale or Action / Exercise 5-4 Contentless Scene II Lesson 6: Tactics Punishment and Reward / Playing Tactics / Exercise 6-1 Frighten Your Partner / Exercise 6-2 Building Intensity / Exercise 6-3 Try to Make Your Partner Cry / Exercise 6-4 Movement and Contact / Exercise 6-5 Encourage Your Partner / Alternating Tactics / Exercise 6-6 Mixing Tactics / The Middle Ranges / Exercise 6-7 Eliminating the Extremes Lesson 7: Expectations Expecting Victory / Exercise 7-1 Playing Bored / Positive Goals / Exercise 7-2 Enthusiasm / Exercise 7-3 Try the Impossible / Eye Contact / Exercise 7-4 Tactics and Expectations Lesson 8: GOTE A Basic Method / "Get Your Character's GOTE" / Exercise 8-1 The GOTEsheet PART III. THE ACTOR'S TASK Lesson 9: Preparing a Role Finding Your Role / Finding Your 'Character' / Editing a Scene / Memorization Methods / Cues / Studying the Part / Exercise 9-1 The Gentleman Caller I Lesson 10: Rehearsing Rehearsals / Undirected Rehearsals / Rehearsal Alternatives / Exercise 10-1 The Gentleman Caller II Lesson 11: Staging the Scene Stage Directions / Creating the Locale / Movement and Stage Business / Interesting Positions / Reaching the Audience / Exercise 11-1 Setting the Stage Lesson 12: Choices The Need for Choices / Good Choices / Exercise 12-1 Bold Choices Lesson 13: Performing Stage Fright / Classroom Performance / Play for Results--In the Other Character Lesson 14: Evaluation and Improvement Helpful Criticism / Reworking / Exercise 14-1 Scene Presentation PART IV. THE ACTOR'S INSTRUMENT Lesson 15: The Actor's Voice Breathing / Exercise 15-1 Breathing from the Abdomen / Phonation: Making Sounds / Exercise 15-2 Sounding / Resonance / Exercise 15-3 Exploring Resonance / Pitch / Exercise 15-4 Exploring Your Pitch Range / A Stageworthy Voice / Exercise 15-5 Speaking with Resonance Lesson 16: Stage Speech Good Diction / Speech Sounds / Exercise 16-1 Vowels / Exercise 16-2 Repeating Syllables / Exercise 16-3 Consonants / Exercise 16-4 Speeches Lesson 17: Using the Voice Liberation / Exercise 17-1 Rude Chants / Exercise 17-2 Rude Cheering / Exercise 17-3 Fancy Talk / Exercise 17-4 Address a Group / Purposefulness / Exercise 17-5 Adding Purpose Lesson 18: The Actor's Body Agility / Exercise 18-1 Fast Warm-Up / Alignment / Exercise 18-2 Improving Alignment / Walking / Exercise 18-3 Sixteen Walks / Exercise 18-4 Walk and Talk / Sitting and Standing / Exercise 18-5 Walk, Talk, Sit / Velocity: Accelerating, Decelerating, and Constant / Exercise 18-6 Acceleration/Deceleration / Counterpoise / Exercise 18-7 Contraposto / Exercise 18-8 Contraction/Extension / The Dynamics of Effort / Exercise 18-9 Distinct Movements / Exercise 18-10 To Be or Not to Be / Exercise 18-11 Walking and Kicking Lesson 19: Voice and Body Integration Coordination / Exercise 19-1 Commands / Exercise 19-2 Speeches with Business / Exercise 19-3 Physical Punctuation / Exercise 19-4 Physical Rhythms / Exercise 19-5 Verbal Rhythms / Pointing / Exercise 19-6 Pointing / Tempo / Exercise 19-7 Speech/Movement Timing / Actors with Disabilities Lesson 20: Imagination and Discipline Fantasy / Self-Exploration / Exercise 20-1 Cold/Hot / Exercise 20-2 Age Regression/Advancement / Exercise 20-3 Facing an Imagined Death / Exercise 20-4 Facing Love / Discipline Lesson 21: Emotion and Acting Theory Exercise 21-1 Playing (with) Real Emotion I / Self-Consciousness / Exercise 21-2 Playing (with) Real Emotion II / Conclusion PART V. THE ACTOR'S TECHNIQUE Lesson 22: Phrasing Diction / Open-Mouthed Speaking / Exercise 22-1 A Acting with Your Teeth / Exercise 22-1 B / Exercise 22-1 C / Developing Diction / Exercise 22-2 Repeated Sentences / Exercise 22-3 Shaw Speech / Emphasis / Exercise 22-4 Change of Emphasis / Exercise 22-5 Punctuate with Emphasis / Inflection / Exercise 22-6 Inflections / Phrasing Lesson 23: Attack The First Word / Physical Attack / Turn-Taking / Exercise 23-1 Turn-Taking Dialog / Preparing Strong Attacks / Exercise 23-2 Action Cues Lesson 24: Follow-Through The Hook / Questions as Questions / Statements as Questions / Exercise 24-1 Making Questions / Statements as Statements / Exercise 24-2 Argument-Enders / Trail-offs Lesson 25: Line Linkage Analyzing Dialog / Rising End-Inflections / Falling End-Inflections / Attack Inflections / Pauses / Long Speeches / Exercise 25-1 Line Linking / Exercise 25-2 The Long Speech / Line Linking in Practice Lesson 26: Scene Structure Breaking Down a Script / Choosing a Scene to Do in Class / Structural Characteristics / Transitions / Scene Breakdown / Exercise 26-1 Scene Structure in Action Lesson 27: Building a Scene Building and Topping / Exercise 27-1 Standard Build I / Exercise 27-2 Standard Build II / Exercise 27-3 Standard Build III / Cutting Back / Getting on Top / Pacing a Build / Complex Builds / Exercise 27-4 I Detest Monday / Exercise 27-5 I Detest January / Exercise 27-6 Come Here / Exercise 27-7 Building Moliere Lesson 28: Creating a Monologue Going It Alone / The Monologue to Someone Else / The Soliloquy / Playing a Monologue or Soliloquy / Exercise 28-1 Prepare a Monologue / L'Envoi Glossary Index
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Rating details

65 ratings
3.86 out of 5 stars
5 37% (24)
4 20% (13)
3 37% (24)
2 5% (3)
1 2% (1)
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