The 1980s : A Critical and Transitional Decade
The 1980s: A Critical and Transitional Decade, edited by Kimberly R. Moffitt and Duncan A. Campbell, is a holistic analysis of the decade that focuses on major turning points and developments in literature, entertainment, politics, and social experimentation. This analysis ultimately presents the 1980s as a significant phenomenon in the American landscape. The 1980s is a groundbreaking and stand-alone introductory volume that is unapologetically interdisciplinary in nature and encourages students to explore topics of the decade often overlooked or grouped together with other, more memorable decades such as the 1920s or 1960s.
- Hardback | 506 pages
- 157.48 x 228.6 x 40.64mm | 861.82g
- 23 Dec 2010
- Lexington Books
- Lanham, MD, United States
- 1, black & white illustrations
Table of contents
Chapter 1 Acknowledgments Chapter 2 Introduction: The 80s as a Decade Part 3 PART 1:"FREEDOM AND SECURITY GO TOGETHER:" REAGAN'S INFLUENCE DURING THE 80s Chapter 4 1. Ronald W. Reagan: Redefining the Presidency Chapter 5 2. Reagan Revives FBI Spying Chapter 6 3. The "Real" Right Turn: The Reagan Supreme Court Chapter 7 4. "Privatizing the Leviathan State: A 'Reaganomic' Legacy" Chapter 8 5. "Airlines? Lousy Unions." Airline Workers in the Era of Deregulation and Hostile Takeover Part 9 PART 2:"YEAH, WELL, HISTORY'S GONNA CHANGE:"UNDERSTANDING THE 80s BEYOND REAGAN Chapter 10 6. Triumph of "The Gipper" and the Democratic Party Malaise in the 1980s Chapter 11 7. The Christian Right's Traditionalist Jeremiad: Piety and Politics in the Age of Reagan Chapter 12 8. New Right, New History, Common Ground: Populism and the Past Chapter 13 9. An Army of One in 1:18 Scale: The Profit of Patriotism in G.I. Joe Chapter 14 10. "Fixing" the Fifties: Alex P. Keaton and Marty McFly Part 15 PART 3:"TAKE A CHILL PILL, MAN:" COMING TO TERMS WITH THE SOCIAL ILLS OF THE 80s Chapter 16 11. How Broadway has Cared: The AIDS Epidemic and the Great White Way Chapter 17 12. Counterpublic Art and Social Practice Chapter 18 13. Date Rape and Sexual Politics Chapter 19 14. A Culture in Panic: Day Care Abuse Scandals and the Vulnerability of Children Chapter 20 15. What's Class Got to Do with It?: Facets of Tracy Chapman through Song Part 21 PART 4:"WE ARE THE WORLD:" UNDERSTANDING THE 80s BEYOND AMERICA'S BORDERS Chapter 22 16.Reading MTV: The Proliferation of United States Culture in the Age of Globalization Chapter 23 17. The United States and Apartheid Chapter 24 18. The Opening of China and the Evolution of China-U.S.Cross-Cultural Understanding Chapter 25 19. U.S. Foreign Policy in Latin America on Film: The Case of Salvador Chapter 26 20. Cold War Crucible: The Berlin Wall and American Exceptionalism Part 27 PART 5:"TOTALLY AWESOME, 80s:" A DECADE OF ARTS AND ENTERTAINMENT Chapter 28 21. Fear of a Black Planet: Michael Jackson, Michael Jordan, and Eddie Murphy and the Globalization of Black Masculinity Chapter 29 22. Matter and Mammon: Fiction in the Age of Reagan Chapter 30 23. Alternative for Alternative's Sake: Progressive College Radio'sProgramming Struggles Chapter 31 24. "Life in Marvelous Times:" Commemorative Narratives of the Golden Era in Hip Hop Culture Chapter 32 25. "Do We Get to Win this Time?" Movies, Mythology, and Political Culture in "Reagan Country" Chapter 33 Selected Bibliography Chapter 34 Index Chapter 35 About the Contributors
The 1980s: A Critical and Transitional Decade provides a reading of the American 1980s in the broadest possible terms, expanding our understanding of the decade across politics, sociology, and culture. Its multi-disciplinary approach offers new ways in which to conceptualize both America's relationship with itself and the nation's position in a rapidly globalizing world. The book is an excellent resource for thinking about how one writes the history of the recent past. -- Graham Thompson, University of Nottingham The authors of this unusually varied collection of essays examining the 1980s include established academics and younger scholars in disciplines ranging from history and literature to film criticism and cultural studies. Ronald Reagan is a central figure, but he does not dominate the collection, which includes topics as diverse as date rape, MTV, GI Joe action figures, and college radio programming. Some essays approach conventional topics in unconventional ways. US policy in Latin America is explored through Oliver Stone's film Salvador, and African Americans are examined through hip-hop, policy on South African apartheid, and black masculinity (represented by Michael Jackson, Michael Jordan, and Eddie Murphy). Film and music are at the core of several essays, and AIDS is investigated through its impact on Broadway theater. Reagan policies receive scrutiny in articles on FBI surveillance, privatization, anti-labor activities and deregulation, and Supreme Court appointments and decisions, and the conservative turn of US politics receives attention in several essays. Although quirky, this collection is satisfying. It challenges readers to look beyond conventional political retrospectives and explore the impact of cultural trends, alternative viewpoints, social problems, and the changing role of the US in the world. Highly recommended. Most levels/libraries. CHOICE
About Kimberly R. Moffitt
Kimberly R. Moffitt is assistant professor of American studies at the University of Maryland, Baltimore County. Duncan A. Campbell is assistant professor of history at National University.