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    Believing Is Seeing: Observations on the Mysteries of Photography (Hardback) By (author) Errol Morris

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    DescriptionSelected by "The New York Times Book Review" as a Notable Book of the Year Academy Award-wining filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs. In "Believing Is Seeing" Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record. During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago? In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda? During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them? With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, "Believing Is Seeing" is a highly original exploration of photography and perception from one of America's most provocative observers.


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  • Full bibliographic data for Believing Is Seeing

    Title
    Believing Is Seeing
    Subtitle
    Observations on the Mysteries of Photography
    Authors and contributors
    By (author) Errol Morris
    Physical properties
    Format: Hardback
    Number of pages: 310
    Width: 188 mm
    Height: 234 mm
    Thickness: 25 mm
    Weight: 975 g
    Language
    English
    ISBN
    ISBN 13: 9781594203015
    ISBN 10: 1594203016
    Classifications

    B&T Merchandise Category: GEN
    B&T Book Type: NF
    Nielsen BookScan Product Class 3: T1.4
    BIC E4L: ART
    B&T Modifier: Region of Publication: 01
    BIC subject category V2: AC
    B&T Modifier: Academic Level: 05
    BIC subject category V2: AJCR
    B&T Modifier: Subject Development: 01
    Warengruppen-Systematik des deutschen Buchhandels: 15830
    DC21: 770.9
    LC subject heading:
    B&T General Subject: 625
    Ingram Subject Code: AP
    Libri: I-AP
    LC subject heading:
    BISAC V2.8: PHO014000, PHO010000
    LC subject heading: ,
    DC22: 770.9
    LC subject heading:
    BISAC V2.8: PHO005000
    B&T Approval Code: A06201000
    LC subject heading: ,
    LC classification: TR820.5 .M676 2011
    LC subject heading:
    Illustrations note
    black & white illustrations, colour illustrations
    Publisher
    Penguin Putnam Inc
    Imprint name
    Penguin Putnam Inc
    Publication date
    01 September 2011
    Publication City/Country
    New York, NY
    Author Information
    Errol Morris is a world-renowned filmmaker-the Academy Award- winning director of "The Fog of War" and the recipient of a MacArthur "Genius" Award. His other films include "Standard Operating Procedure; Mr. Death; Fast, Cheap, and Out of Control; A Brief History of Time"; and "The Thin Blue Line."
    Review quote
    "Morris's book is beautifully designed, underscoring that visual evidence has its own texture, its own feel. Like Arbus, Morris knows that photographs gratify some of our deep cravings, but also that they also never fully satisfy. A photograph "partially takes us outside ourselves" and "gives us a glimpse . . . of something real." This is a key part of what Arbus and Morris are both after. Photography's preservation of traces of the past offers the possibility that "we too can be saved from oblivion by an image that reaches beyond our lives." By paying such close and caring attention to traces of the past, Morris greatly increases the possibility of their living on. He shows us what it means to do the hard work of saving memories from oblivion."---Michael Roth, "The Washington Post"