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    Tranquility (Paperback) By (author) Attila Bartis

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    Description"Tranquility is a moving, emotionally complex, subtle, shocking novel ..."--"Los Angeles Times""Tranquility," the acclaimed third novel by Hungarian Attila Bartis, is simultaneously a private psychodrama and a portrait of the end of the Communist era. Reading it, "we arrive at ourselves, at our own obsessions, in our own silence," writes Ilma Rakusa. A thirty-six-year-old writer struggles to escape his hellish, Oedipal inter dependency with his actress mother as Hungary's Communist infrastructure collapses around him. One of the most psychologically dark and ironic novels to have emerged from contemporary Hungarian literature, it is also, as far as human psychology and political farce are concerned, one of the most illuminating.Attila Bartis has been hailed by Hungarian readers as a maverick, unorthodox, and highly inventive postmodern writer. "Tranquility "is his first novel to appear in English.Imre Goldstein has translated dozens of books and plays from the Hungarian. He is currently translating a three-volume novel by Peter Nadas.

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  • Full bibliographic data for Tranquility

    Authors and contributors
    By (author) Attila Bartis
    Physical properties
    Format: Paperback
    Number of pages: 292
    Width: 157 mm
    Height: 183 mm
    Thickness: 23 mm
    Weight: 386 g
    ISBN 13: 9780980033007
    ISBN 10: 0980033004

    BIC E4L: GEN
    Nielsen BookScan Product Class 3: F1.1
    B&T Merchandise Category: GEN
    BIC subject category V2: FA
    B&T General Subject: 360
    B&T Book Type: FI
    DC22: FIC
    B&T Modifier: Region of Publication: 01
    B&T Modifier: Academic Level: 05
    Warengruppen-Systematik des deutschen Buchhandels: 21110
    Ingram Subject Code: FC
    Libri: I-FC
    B&T Modifier: Geographic Designator: 06
    BISAC V2.8: FIC025000
    B&T Modifier: Subject Development: 34
    DC22: 894/.51134
    B&T Modifier: Geographic Designator: 33
    B&T Approval Code: A24465070
    DC22: 894.51134
    BISAC V2.8: FIC019000
    LC classification: PH3213.B2976 N9413 2008
    Thema V1.0: FBA
    Imprint name
    Publication date
    04 March 2010
    Publication City/Country
    New York
    Author Information
    Bartis's first novel A seta (1991) won the Moricz Zsigmond Scholarship. His works include the short story collection A kekl_ para (1995), the novel A nyugalom (2001), and a series of literary essays entitled Lazarus's Apocrypha (2001). Bartis has lived in Budapest since 1984. After the 1956 revolution in Hungary, Imre Goldstein escaped to the United States where he earned a Ph.D. in Theater. Since 1974, he has been living in Israel. He has translated dozens of books and plays from the Hungarian. Currently, he is translating a three-volume novel by Peter Nadas.
    Review quote
    "GREAT ANTICIPATION preceded the release of the maverick writer Attila Bartis's new novel, "A nyugalom" ("Tranquility"), after his previous book, "A keklo para" ("Bluish Mist"; see WLT 73:4, P. 784), had solidified his fame as an unorthodox, highly inventive postmodern writer. Its reception has been almost as ambiguous as its main character's psyche. Through anguished retrospection and daredevilish rumination, a baffling and mesmerizing tale unfolds in communist Hungary."--"WLT, Jan. 02""Bartis at times puts one in mind of Joyce, at others of Kafka, at others of Roth, yet ultimately eludes all comparison by the strength of his originality."--"Arturo Mantecon, ForeWord""Oddly beautiful and unsettling, the novel boldly illustrates the lengths people go to in securing their own private hells.""--Publishers Weekly (Starred Review)""Reading like the bastard child of Thomas Bernhard and Elfriede Jelinek, Tranquility is political and personal suffering distilled perfectly and transformed into dark, viscid beauty. It is among the most haunted, most honest, and most human novels I have ever read."--"Brian Evenson""With impressive force of language, Bartis succeeds in laying bare the ambivalences of his characters, their love-hate relationships and self-destructive energies ... The play that mother and son perform ... is part Strindberg and part Chekhov, but mostly sheer Beckett or even pure theater of cruelty.""--Richard Kammerlings, Frankfurter Allgemeine Zeitung"