Who is That Man?: in Search of the Real Bob DylanHardback
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- Publisher: Hyperion
- Format: Hardback | 416 pages
- Dimensions: 163mm x 236mm x 30mm | 658g
- Publication date: 17 July 2012
- Publication City/Country: New York
- ISBN 10: 1401323391
- ISBN 13: 9781401323394
- Illustrations note: black & white illustrations, frontispiece
- Sales rank: 621,481
A Kaleidoscopic Look at the Many Faces of Bob Dylan For almost half a century, Bob Dylan has been a primary catalyst in rock's shifting sensibilities. Few American artists are as important, beloved, and endlessly examined, yet he remains something of an enigma. Who, we ask, is the "real" Bob Dylan? Is he Bobby Zimmerman, yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe playing Greenwich Village haunts? Folk Messiah, Born-Again Bob, Late-Elvis Dylan, Jack Fate, or Living National Treasure? In "Who Is That Man?," David Dalton--cultural historian, journalist, screenwriter, and novelist--paints a revealing portrait of the rock icon, ingeniously exposing the three-card monte games he plays with his persona. Guided by Dalton's cutting-edge insights and myth-debunking point of view, "Who Is That Man?" follows Dylan's imaginative life, integrating actual events with Dylan's words and those of the people who know him most intimately. Drawing upon Dylan's friends and fellow eyewitnesses--including Marianne Faithfull, Allen Ginsberg, Peter Stampfel, Larry "Ratso" Sloman, Eric Andersen, Nat Hentoff, Andrew Oldham, Nat Finkelstein, and others--this book will provide a new perspective on the man, the myth, and the musical era that forged them both.
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David Dalton is a founding editor of Rolling Stone, recipient of the Columbia School of Journalism Award, and winner of the Ralph J. Gleason Best Rock Book of the Year award for Faithfull. He has written twelve books, including biographies of James Dean, Jim Morrison, Janis Joplin, Sid Vicious and the Rolling Stones. He is the screenwriter for an upcoming Janis Joplin biopic.
"Mr. Dalton, a founding editor of "Rolling Stone," dates back so far in Dylan watching that he was all but present at the creation. He writes not just about Mr. Dylan but about what it's like to have lived in close psychic and musical proximity to him for so long." "Janet Maslin, "The New York Times"""