• White Cube, Green Maze: New Art Landscapes See large image

    White Cube, Green Maze: New Art Landscapes (Hardback) By (author) Raymund Ryan, Contributions by Brian O'Doherty, Contributions by Marc Treib, By (photographer) Iwan Baan

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    DescriptionSpanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions - Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy - dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. Iwan Baan, one of today's most influential architectural photographers, thoughtfully documents each project. In addition to his stunning images, the sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's insightful essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.


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  • Full bibliographic data for White Cube, Green Maze

    Title
    White Cube, Green Maze
    Subtitle
    New Art Landscapes
    Authors and contributors
    By (author) Raymund Ryan, Contributions by Brian O'Doherty, Contributions by Marc Treib, By (photographer) Iwan Baan
    Physical properties
    Format: Hardback
    Number of pages: 120
    Width: 259 mm
    Height: 284 mm
    Thickness: 18 mm
    Weight: 975 g
    Language
    English
    ISBN
    ISBN 13: 9780520274402
    ISBN 10: 0520274407
    Classifications

    B&T Book Type: NF
    BIC E4L: ARC
    Nielsen BookScan Product Class 3: T1.5
    B&T Modifier: Region of Publication: 01
    B&T Modifier: Academic Level: 01
    LC classification: NA
    B&T General Subject: 130
    DC22: 720
    Ingram Subject Code: AR
    BIC subject category V2: AMV
    Warengruppen-Systematik des deutschen Buchhandels: 15850
    B&T Merchandise Category: UP
    BISAC V2.8: ARC008000
    Abridged Dewey: 712
    DC23: 717
    Thema V1.0: AMV
    Illustrations note
    120 color illustrations, 20 black / white images Full service production work by mgmt comp
    Publisher
    University of California Press
    Imprint name
    University of California Press
    Publication date
    12 October 2012
    Publication City/Country
    Berkerley
    Author Information
    Raymund Ryan is Curator at the Heinz Architectural Center. He is the author of Cool Construction, Michael Maltzan: Alternate Ground, and Gritty Brits: New London Architecture.
    Review quote
    "Smart, handsomely illustrated... Raymund Ryan has gathered a visual feast of institutions that illustrate the future of museums." Pittsburgh Post-Gazette 20121219 "A look at six art venues around the world that break the mold (with the Olympic Sculpture Park included)." Seattle Times 20121023 "[Explores] the idea of taking the museum out of doors and weaving art into a natural or constructed landscape." Form 20121204 "These locations not only offer opportunities for curators, architects, and landscape architects to consider relationships between the various areas of focus, they give artists unconventional venues for creating and displaying art." Archidose 20121128 [Represents] a departure from the traditional museum gallery space, as well as from expectations of how a gallery should be experienced." artdaily.org 20130219 "Ryan not only proposes a move away from traditional curation, but a move toward a more democratic museum typology, a model in which architecture, art, and nature hold equal clout in an aesthetic experience. The viewer is encouraged to roam and discover in the Green Maze. And for the museums of the future, a new form may lie at the end of these labyrinths." -- Anna Fixsen Architectural Record 20130912