Whatever Happened to Modernism?

Whatever Happened to Modernism?

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The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing - a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization or a revolution in diction and form; essentially, it is art coming to consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Durer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected - including Beckett, Borges, Friedrich, Cezanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but contemporary culture itself. Gabriel Josipovici has spent a lifetime writing, and writing about other writers. "Whatever Happened to Modernism?" is a strident call to arms, and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

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  • Hardback | 224 pages
  • 140 x 216 x 26mm | 439.98g
  • Yale University Press
  • New HavenUnited States
  • English
  • 8 black-&-white illustrations
  • 0300165773
  • 9780300165777
  • 135,845

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"An appealing literary-historical excursion . . . Quite engaging."--M. A./i>--M. A. Orthofer "Complete Review "

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About Gabriel Josipovici

Gabriel Josipovici is a novelist, literary theorist, critic and scholar. He was Professor of English at the University of Sussex, and Weidenfeld Professor of Comparative Literature at Oxford, and is now research professor in the Graduate School of Humanities, Sussex. He has published three non-fiction titles with Yale, The Book of God, Touch and On Trust.

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