Eric Davidson
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Eric Davidson : The Gunk Punk Undergut, 1988 - 2001

By (author) Eric Davidson , Foreword by Byron Coley

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Nirvana, the White Stripes, Hole, the Hives - all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played for throngs of fans in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny popstars. "We Never Learn: The Gunk Punk Undergut, 1988-2001" tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They revelled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book - the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them - gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.

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  • Paperback | 354 pages
  • 149.86 x 226.06 x 27.94mm | 612.35g
  • 12 Jun 2010
  • Hal Leonard Corporation
  • BACKBEAT BOOKS
  • Milwaukee
  • English
  • Black and White Photos throughout
  • 0879309725
  • 9780879309725
  • 87,327

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We Never Learn: The Gunk Punk Undergut, 19882001 is the first and only book on the last great wave of punk rock. Musician and journalist Eric Davidson (Village Voice, CMJ, SF Bay Guardian) was there as this scene unfolded, tracking the inspiration and beautiful destruction of this largely undocumented movement. The Black Lips, the late Jay Reatard, The Dirtbombs, the White Stripes, the Reigning Sound, and the Hives (to name but a few) all sprang from an underground music scene where similarly raw bands, enjoying various degrees of success and hard luck, played in venues ranging from dive bars to massive festivals, but were mostly ignored by a music industry focused on mega-bands and shiny pop stars. They reveled in '50s rock 'n' roll and '60s garage rock as much as they did Iggy Pop, the Ramones, and Black Flag, while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book the Dwarves, the Gories, the Supersuckers, the Mummies, the Oblivians, Billy Childish, Rocket From The Crypt, Jon Spencer Blues Explosion, Cheater Slicks, Teengenerate, and the Donnas among them gained little long-term reward from their nonstop touring and brain-slapping records. What they did get was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan.

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