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    Tree Palace (Paperback) By (author) Craig Sherborne

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    DescriptionLiving on the outskirts of society, Shane, Moira, Midge, and young Zara and Rory are searching for shelter. When they find an abandoned bush shack, things start looking up. But fifteen year old Zara has a newborn baby that she's desperate to ignore and before long Shane is in trouble with the police. A moving and lyrical meditation on the meaning of family, for fans of John Steinbeck.Craig Sherborne has written two memoirs, "Hoi Polloi" (2005) and "Muck" (2007), and the novel "The Amateur Science of Love" (2011). He has won several Australian literary awards.


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    eye-opening4

    Marianne Vincent Tree Palace is the second novel by Australian author, playwright and poet, Craig Sherborne. Moira, Shane, Midge, Zara and Rory are trants (itinerants). After many years of moving around, they have stopped at Barleyville, on the plains west of Melbourne, squatting in a derelict old cottage they call their Tree Palace, annexed by their caravan and a tent. Half-brothers Shane and Midge are accomplished at salvaging sought-after heritage-quality fittings from old homesteads. They are also experts at getting social security benefits whilst staying under the radar. They may be trants, and there may be no water or power laid on at their palace, but Moira still insists on certain standards in raising her children, Zara and Rory. And now there's Mathew, fifteen-year-old Zara's baby. But Moira finds that Zara is less than enamoured with the idea of motherhood, Rory is getting into mischief, the Police don't like her driving without a licence and Shane's business is running into problems. Sherborne gives the reader a revealing look at the world of itinerants and squatters, their principles and morals, their values, virtues and vices, their loves and loyalties. Readers may well gasp at the lack of guilt or conscience that his characters display when taking something they feel they need, be it a necklace from Salvos, a lead-light window from a homestead or a place to settle down. Nonetheless, his characters are familiar, see in any town, and their dialogue is natural and credible. Sherborne treats the reader to some wonderfully descriptive prose: "The best thing was the house. When they first saw it it no longer looked liveable because the grass sprouted in the roof and pushed up through the floor. That could be dealt with. It was old with a wrinkled feel the way the weatherboards had peeled and twisted. From the front it looked like a face with its open door hanging wide from the hinges and either side a window for eyes. Tattered blinds fluttered like eyelids and when birds flew out of the broken glass the window could have been blinking" is just one example. An eye-opening read. by Marianne Vincent

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