Top Girls

Top Girls

By (author) Caryl Churchill , Edited by Bill Naismith , Edited by Nick Worral , Edited by Glenda Leeming

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Caryl Churchill: 'A dramatist who must surely be rated among the half-dozen best now writing...a playwright of genuine audacity and assurance, able to use her considerable wit and intelligence in ways at once unusual, resonant and dramatically riveting' Benedict Nightingale, New Statesman 'Ms Churchill is one of our best writers...her play is brilliantly conceived with considerable wit to illuminate the underlying deep human seriousness of her theme' Bryan Robertson, Spectator Set in the early Thatcher years, Top Girls is a serminal play of the modern theatre, revealing a world of women's experience at a pivotal moment in British history. Told by an eclectic group of historical and modern characters in a continuous conversation across ages and generations, Top Girls was hailed as 'the best British play ever by a woman dramatist' (Guardian). Commentary and notes by Bill Naismith and Nick Worrall

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  • Paperback | 176 pages
  • 128 x 196 x 14mm | 140g
  • 01 Oct 2008
  • Bloomsbury Publishing PLC
  • METHUEN DRAMA
  • London
  • English
  • Revised
  • Revised edition
  • N/A
  • 1408106035
  • 9781408106037
  • 12,541

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Author Information

Caryl Churchill has written for the stage, television and radio. Her acclaimed body of work includes Three More Sleepless Nights (1980); Top Girls (1982); Fen (1983); Mouthful of Birds (1986); Serious Money (1989); The Skriker (1984); Blue/Heart (1998) and Far Away in Autumn (2000).

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Review quote

""Top Girls" has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind."--"The Sunday Times""A dramatist who must surely be rated among the half-dozen best now writing a playwright of genuine audacity and assurance, able to use her considerable wit and intelligence in ways at once unusual, resonant and dramatically riveting."--"New Statesman""One of our best writers her play is brilliantly conceived with considerable wit to illuminate the underlying deep human seriousness of her theme."--"Spectator"

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