Things I Didn't Know

Things I Didn't Know


By (author) Robert Hughes

List price $18.61
You save $4.69 25% off

Free delivery worldwide
Dispatched in 2 business days
When will my order arrive?

  • Publisher: VINTAGE
  • Format: Paperback | 416 pages
  • Dimensions: 129mm x 198mm x 26mm | 295g
  • Publication date: 27 September 2007
  • Publication City/Country: London
  • ISBN 10: 0099501430
  • ISBN 13: 9780099501435
  • Sales rank: 136,699

Product description

Robert Hughes, one of the most illuminating minds ever to have taken on the subjects of art and culture, uses his same critical abilities to give us a brutally intimate account of his early life, up until the time he quit Australia for the United States. Part memoir, part history lesson, part philosophical tract, Hughes uses his own experiences to examine the nature of art, war, sex, religion, writing and life itself. Piercing, razor-sharp, and above all, fearless, this is by far Hughes's most personal writing to date.

Other people who viewed this bought:

Showing items 1 to 10 of 10

Other books in this category

Showing items 1 to 11 of 11

Author information

Robert Hughes, art critic of Time magazine and twice winner of the American College Art Association's F.J. Mather Award for distinguished criticism, is the author of The Shock of the New and Heaven and Hell in Western Art. He is also the author of the acclaimed Nothing if Not Critical -- which William Boyd described as 'criticism at its most intelligent and impressive, trenchant, lucid, elegantly written' -- Barcelona and Culture of Complaint, essays on the fraying of America, described in the Observer as 'the most bracing of critical broadsides against new anti-intellectual tyrannies'. Robert Hughes died in August 2012.

Review quote

"Entertaining" -- Geoff Dyer Mail on Sunday "This is, as you'd expect, a hugely entertaining book" -- Martin Gayford Sunday Telegraph "Edgy and engrossing memoir" -- Waldemar Januszczak Sunday Times "Hughes...deftly intertwines personal and cultural history in this fiercely erudite offers a fascinating examination of artistic patrimony and the formation of a critic" New Yorker "Bracingly candid... There isn't a phrase that doesn't reward immediate rereading" New Statesman