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    Still the New World: American Literature in a Culture of Creative Destruction (Paperback) By (author) Philip Fisher

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    DescriptionIn this reinterpretation of American culture, Philip Fisher describes generational life as a series of renewed acts of immigration into a new world. Along with the actual flood of immigrants, technological change brings about an immigration of objects an systems, ways of life and techniques for the distribution of ideas. The text argues against the reduction of literature to identity questions of race, gender, and ethnicity. Ranging from roughly 1850 to 1940, when, Fisher argues, the American cultural and economic system was set in place, the book considers key works in the American canon - from Emerson, Whitman, and Melville, to Twain, James, Howells, Dos Passos, and Nathaniel West, with insights into such artists as Winslow Homer and Thomas Eakins.


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  • Full bibliographic data for Still the New World

    Title
    Still the New World
    Subtitle
    American Literature in a Culture of Creative Destruction
    Authors and contributors
    By (author) Philip Fisher
    Physical properties
    Format: Paperback
    Number of pages: 304
    Width: 152 mm
    Height: 235 mm
    Thickness: 16 mm
    Weight: 417 g
    Language
    English
    ISBN
    ISBN 13: 9780674004092
    ISBN 10: 0674004094
    Classifications

    BIC geographical qualifier V2: 1KBB
    Nielsen BookScan Product Class 3: T3.7
    BIC subject category V2: DSBF
    B&T Book Type: NF
    BIC language qualifier (language as subject) V2: 2AB
    BIC time period qualifier V2: 3JJ
    BIC E4L: LIT
    BIC subject category V2: DSBH, JFC
    BIC time period qualifier V2: 3JH
    B&T Modifier: Academic Level: 01
    B&T Modifier: Subject Development: 01
    B&T General Subject: 480
    Warengruppen-Systematik des deutschen Buchhandels: 27400
    B&T Modifier: Geographic Designator: 01
    Ingram Subject Code: LC
    Libri: I-LC
    BISAC V2.8: SOC000000
    LC classification: P
    BISAC V2.8: LAN000000
    Abridged Dewey: 420
    DC22: 306.0973
    DC21: 306.0973
    B&T Merchandise Category: UP
    BISAC V2.8: LIT004020
    LC subject heading: ,
    B&T Approval Code: A26010200
    BISAC V2.8: SOC002010
    B&T Approval Code: A23100000
    LC subject heading: , , ,
    Thema V1.0: DSBH, DSBF, JBCC
    Edition statement
    HARVARD UNIV PR.
    Illustrations note
    5 halftones, 1 line illustration
    Publisher
    HARVARD UNIVERSITY PRESS
    Imprint name
    HARVARD UNIVERSITY PRESS
    Publication date
    01 September 2000
    Publication City/Country
    Cambridge, Mass
    Author Information
    Philip Fisher is the Felice Crowl Reid Professor of English and American Literature at Harvard University.
    Review quote
    Still the New World itself drifts loosely over the American landscape, illuminating major cultural currents and dipping into literary and artistic thickets that make for fascinating...exploration. -- David S. Reynolds New York Times Book Review [A] rich investigation into the American commitment to novelty and innovation...If 'culture,' in the anthropological sense, refers to tradition, enduring ways of life handed down from parents to children over multiple generations, Fisher argues, then 19th- and 20th-century America has had nothing of the kind. Instead of 'culture,' we have a 'culture of creative destruction,' perpetual immigration, novelty, innovation, mobility and children's wise refusal to heed the advice of parents...While much of the book, which is written in an epigrammatic style with a minimum of footnotes, is based on Fisher's close readings of Walt Whitman, Harriet Beecher Stowe, Mark Twain, Herman Melville, Thomas Eakins and other American authors and artists, his surprising and wide-ranging reflections on the principle of 'creative destruction' in commerce and technology deserve a readership well beyond specialists in American literature and art. Publishers Weekly In this provocative look at an ever-changing American society, Fisher considers how the works of great writers reflect the dynamics of cultural change and assimilation. Using examples from such prominent 19th- and 20th-century authors as Twain, Whitman, and Dos Passos, Fisher shows how American writing has been informed by capitalism, economics, democracy, and the unrelenting rise of technology...This is an optimistic book that champions American life and literature. -- Ellen Sullivan Library Journal
    Table of contents
    Introduction American Abstraction Democratic Social Space Whitman and the Poetics of a Democratic Social Space Defecting from American Abstraction Transparency and Obscurity: Melville's Benito Cereno Hierarchical Social Space: Twain, James, and Howells Regionalism Membership and Identity Episodes of Regionalism Realism Realisms of Detail, State, and Voice Inventing New Frames for Realism Conclusion Notes Acknowledgments Index