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    Something to Tell You (Hardback) By (author) Hanif Kureishi

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    DescriptionJamal is a successful psychoanalyst haunted by his first love and a brutal act of violence from which he can never escape. Looking back to his coming of age in the 1970s forms a vivid backdrop to the drama that develops thirty years later, as he and his friends face an encroaching middle age with the traumas of their youth still unresolved. Like "The Buddha of Suburbia", "Something to Tell You" is full-to-bursting with energy, at times comic, at times painfully tender. With unfailing deftness of touch Kureishi has created a memorable cast of recognisable individuals, all of whom wrestle with their own limits as human beings, haunted by the past until they find it within themselves to forgive.


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  • Full bibliographic data for Something to Tell You

    Title
    Something to Tell You
    Authors and contributors
    By (author) Hanif Kureishi
    Physical properties
    Format: Hardback
    Number of pages: 352
    Width: 162 mm
    Height: 241 mm
    Thickness: 32 mm
    Weight: 586 g
    Language
    English
    ISBN
    ISBN 13: 9780571209774
    ISBN 10: 0571209777
    Classifications

    BIC E4L: GEN
    Nielsen BookScan Product Class 3: F1.1
    DC22: 823.914
    BIC subject category V2: FA
    Warengruppen-Systematik des deutschen Buchhandels: 11110
    LC subject heading: , , , , ,
    BISAC V2.8: FIC019000
    LC subject heading:
    Thema V1.0: FBA
    Publisher
    FABER & FABER
    Imprint name
    FABER & FABER
    Publication date
    28 February 2008
    Publication City/Country
    London
    Author Information
    Hanif Kureishi is the author of novels (including The Buddha of Suburbia, The Black Album and Intimacy), short story collections (Love in a Blue Time, Midnight All Day, The Body), plays and screenplays (including My Beautiful Laundrette and Venus). He has also written a memoir, My Ear at his Heart.
    Review quote
    "A wickedly funny exploration of guilt, loss, love and the very thin line that separates sanity from insanity. Kureishi's characters are often mad, bad or dangerous to know and all the more delicious for it. This novel, like its other subject, London, bursts at the seams with energy, high -- in equal measure -- on anxiety and a lust for life."-- Monica Ali, author of "Brick Lane"
    Review text
    A middle-aged psychoanalyst takes stock of his overcrowded past and reluctantly confronts his many demons, in the latest from Kureishi.Jamal Khan, whose fondest memories hearken back to swinging, newly multicultural London in the 1980s (the period observed in Kureishi's first novel, The Buddha of Suburbia, 1990), when he partied incessantly and knew everybody, is now reaping the bitter harvest of his excesses. Estranged from his wife Josephine, despised by his curmudgeonly 12-year-old son, depressed by guilty memories of the former love of his life Ajita (and by a guilty secret involving her late father), Jamal weighs the problems and sorrows of his importunate patients against the unraveling of his own exhausted psyche - meanwhile plunging into further miscalculations and twisted relationships. The most challenging of the latter involve women: notably, his perpetually deranged sister Miriam, hell-bent on a relationship with their father's friend Henry, a formerly eminent theater director; and Henry's daughter Lisa, a strident social worker whose icy righteousness does not deter her from a damaging intimacy with the ever-vigilant Jamal. (These entanglements aren't particularly interesting, except for the brilliant portrayal of Miriam, an unstable culture vulture whose appetitive energies put even Jamal's to shame.) Though it doesn't actually go anywhere, the novel is filled with vivid particulars, mordant wit and odd little surprises - ranging from Jamal's serendipitous arrival at an informal meeting with Mick Jagger following a Rolling Stones concert, to a brief allusion to prosperous gay London careerist Omar Ali (the protagonist, some of us will remember, of the brilliant film My Beautiful Laundrette, developed from Kureishi's splendid original script). Things just seem to whirl around Jamal, a stubborn survivor who is perhaps foredoomed to sleepwalk through his days and waste his nights perpetually seeking a profession, family and culture to which he can belong.The novel is by no means uninteresting, but it's pretty much Kureishi as we already know him - again. (Kirkus Reviews)