The Searchers
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The Searchers : The Making of an American Legend

By (author) Glenn Frankel

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In 1836 in East Texas, nine-year-old Cynthia Ann Parker was kidnapped by Comanches. She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, "The Searchers," "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

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  • Hardback | 416 pages
  • 157.48 x 236.22 x 38.1mm | 612.35g
  • 19 Feb 2013
  • Bloomsbury Publishing PLC
  • New York
  • English
  • B&W t/o
  • 1608191052
  • 9781608191055
  • 87,138

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Author Information

Glenn Frankel worked for nearly thirty years for the "Washington Post," as a reporter, a foreign correspondent, and editor of the "Washington Post Magazine." As Jerusalem bureau chief, he won the 1989 Pulitzer Prize for "sensitive and balanced reporting from Israel and the Middle East." His first book, "Beyond the Promised Land: Jews and Arabs on the Hard Road to a New Israel "won the National Jewish Book Award. His second, "Rivonia's Children: Three Families and the Cost of Conscience in White South Africa" was a finalist for South Africa's prestigious Alan Paton Award. Frankel has been an Alicia Patterson Journalism Fellow and a Hearst Visiting Professional in the Department of Communication at Stanford. He is currently the Director of the School of Journalism at the University of Texas at Austin.

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Review quote

"A remarkable journey from Hollywood to Monument Valley and into the past as Frankel digs into American cultural history, unearthing some gold... A thoroughly researched, clearly written account of an obsessive search through the tangled borderland of fact and fiction, legend and myth." - "Kirkus Reviews" (starred review) "In brillaint pursuit of truth in the territory of American myth, Glenn Frankel has created his own masterpiece of nonfiction storytelling."--David Maraniss, author of "When Pride Still Mattered" and "They Marched Into Sunlight" "Glenn Frankel's magisterial work of American history and cultural analysis is so adventurously researched and approached with such passionate engagement that it penetrates deeply into our national psyche. With empathy for both sides in a terrible conflict that tore our land apart and still haunts our conscience. Frankel's splended book, written in prose so vivid that it thrusts us body and soul into the psat of frontier Texas and 1950s Monument Valley, finds in this heartbreaking saga nothing less than the story of America."--Joseph McBride, author of "Searching for John Ford" "Readers who were thrilled by S.C. Gwynne's "Empire of the Summer Moon" will be equally fascinated by Glenn Frankel's masterful book, which widens the story of Cynthia Ann Parker into the twentieth century and into the colliding currents of history and myth. Frankel is so good - as a historian, film critic, biographer, and riveting storyteller - that he creates in "The Searchers" a blazing synthesis of dramatic narrative and scholarly insight."--Stephen Harrigan, author of "The Gates of the Alamo" and" Remember Ben Clayton"

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