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The Savage Sword of Kull: Volume 2

The Savage Sword of Kull: Volume 2

Book rating: 04 Paperback The Savage Sword of Kull

By (artist) Ernie Chan, By (artist) Val Semeiks, By (artist) Pat Redding, By (author) Chuck Dixon, By (author) William Johnson, By (author) Roy Thomas

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  • Publisher: Dark Horse Comics,U.S.
  • Format: Paperback | 448 pages
  • Dimensions: 168mm x 257mm x 28mm | 590g
  • Publication date: 18 October 2011
  • Publication City/Country: Milwaukie
  • ISBN 10: 1595827889
  • ISBN 13: 9781595827883
  • Illustrations note: chiefly Illustrations
  • Sales rank: 246,979

Product description

This volume contains over forty-five action-packed stories starring the barbaric Atlantean exile, King Kull! Robert E. Howard expert and legendary scribe Roy Thomas details Kull's mysterious early life -- from the time he was born to his enslavement by Lemurian pirates! This tome also includes stories from when Kull was king! The Commorian's provoke all out war with Valusia, and, since their clandestine plan of overthrowing King Kull failed in "The Shadow Kingdom," the snake-men take a different tact!

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Customer reviews

By 365 Graphic Novels 31 Jul 2014 4

This is the companion volume that collects the Kull stories from September 1986 to May 1995. All of these appeared in The Savage Sword of Conan and most were written by Chuck Dixon, John Arcudei or Roy Thomas. Only one story, Exile of Atlantis, is based on a Howard Story, the rest are original creations.

They aren’t bad. Most are single issue tales with a twist at the end. Some previous enemies and characters return. The majority, whist having the feel of Howard’s work, could easily substitute Kull for a generic barbarian hero. It is only the Alan Rowlands piece A Groaning in the Earth that truly captures the spirit, language and existential questioning of authentic Kull.

There are yet more retellings, or even reprintings, of Kull’s origin story, and some alterations to his family tree. The same story, Caresses of Mine Enemy, appears twice, retold with identical plot but different scripter and artist five years later.

The art is the constant black and white newsprint of the era. There aren’t the gimmicks and razzmatazz we see in today’s visually adept comics but the effort goes into the characters. Clear expressions, realistic poses and dynamic action is where these pictures shine. There are also some full page drawings labelled “story excerpts” that are collected together and appear with appropriate Howard quotes.

These stories are presented in the order they were published meaning writers and storylines alternate and jump around in time. Handily an extensive chronology also appears. This summarises all the Marvel storylines and arranges them into the sequence they would take place in Kull’s lifetime. A handy resource for the Kull scholar.

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