To the Rescue of Art: Twenty Six Essays

To the Rescue of Art: Twenty Six Essays

Paperback

By (author) Rudolf Arnheim

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  • Publisher: University of California Press
  • Format: Paperback | 243 pages
  • Dimensions: 153mm x 228mm x 18mm | 426g
  • Publication date: 1 February 1992
  • Publication City/Country: Berkerley
  • ISBN 10: 0520074599
  • ISBN 13: 9780520074590
  • Edition statement: New.
  • Sales rank: 1,018,075

Product description

Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements. Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects on the psychology of art and widens our range of vision by connecting art with language, literature, and religion.

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Author information

Rudolf Arnheim taught at Sarah Lawrence College for many years and was the first Professor of the Psychology of Art at Harvard. He taught at the University of Michigan after his retirement and is the author of ten other books, all published by the University of California Press.

Back cover copy

The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat 'that the work crew charged with erecting the edifice of our principles is infiltrated by termites.'