• Re-Imagining Greek Tragedy on the American Stage See large image

    Re-Imagining Greek Tragedy on the American Stage (Sather Classical Lectures) (Hardback) By (author) Helene P. Foley

    $85.49 - Save $25.87 23% off - RRP $111.36 Free delivery worldwide Available
    Dispatched in 3 business days
    When will my order arrive?
    Add to basket | Add to wishlist |

    DescriptionThis book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies--over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance, but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources--archival, video, interviews, and reviews--Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.


Other books

Other people who viewed this bought | Other books in this category
Showing items 1 to 10 of 10

 

Reviews | Bibliographic data
  • Full bibliographic data for Re-Imagining Greek Tragedy on the American Stage

    Title
    Re-Imagining Greek Tragedy on the American Stage
    Authors and contributors
    By (author) Helene P. Foley
    Physical properties
    Format: Hardback
    Number of pages: 396
    Width: 152 mm
    Height: 229 mm
    Thickness: 28 mm
    Weight: 494 g
    Language
    English
    ISBN
    ISBN 13: 9780520272446
    ISBN 10: 0520272447
    Classifications

    BIC geographical qualifier V2: 1KBB
    B&T Book Type: NF
    BIC E4L: PER
    BIC subject category V2: AN
    Nielsen BookScan Product Class 3: T1.8
    B&T Modifier: Region of Publication: 01
    BIC subject category V2: DSG
    B&T Modifier: Subject Development: 01
    BIC subject category V2: DSBB
    BIC language qualifier (language as subject) V2: 2AHA
    B&T Modifier: Geographic Designator: 01
    B&T General Subject: 431
    Ingram Theme: CHRN/ANCIEN
    Warengruppen-Systematik des deutschen Buchhandels: 15540
    B&T Modifier: Academic Level: 02
    Ingram Subject Code: PA
    Libri: I-PA
    BISAC V2.8: PER011000
    B&T Merchandise Category: UP
    BISAC V2.8: HIS002000
    BIC subject category V2: 1KBB
    LC subject heading:
    BIC subject category V2: 2AHA
    LC subject heading: , ,
    DC22: 792.1/20973
    DC23: 792.120973
    DC22: 792.120973
    LC classification: PA3131 .F54 2012
    Thema V1.0: DSG, DSBB, ATD
    Illustrations note
    26 b/w photographs
    Publisher
    University of California Press
    Imprint name
    University of California Press
    Publication date
    01 October 2012
    Publication City/Country
    Berkerley
    Author Information
    Helene P. Foley is Professor of Classics at Barnard College, Columbia University, and the 2008 Sather Professor at UC Berkeley. Her many books include Ritual Irony and Female Acts in Greek Tragedy .
    Review quote
    "Obligatory reading for anyone interested in Greek tragedy, reception studies, the history of the theater, or US cultural history... Essential." -- P. Nieto, Brown University Choice 20130123 "[A] monumental mosaic of a book." -- Oliver P. Foley The Times Literary Supplement 20130510
    Table of contents
    List of Illustrations Preface Introduction CHAPTER ONE. Greek Tragedy Finds an American Audience 1. Setting the Stage 2. American Theater Makes Greek Tragedy Its Own CHAPTER TWO. Making Total Theater in America: Choreography and Music 1. Hellenic Influences on the Development of American Modern Dance 2. American Gesamtkunstwerke 3. Musical Theater 4. Visual Choreography in Robert Wilson's Alcestis CHAPTER THREE. Democratizing Greek Tragedy 1. Antigone and Politics in the Nineteenth Century: The Boston 1890 Antigone 2. Performance Groups in the 1960s 1970s: Brecht's Antigone by The Living Theatre 3. The 1980s and Beyond: Peter Sellars's Persians, Ajax, and Children of Heracles 4. Aeschylus's Prometheus Bound in the United States: From the Threat of Apocalypse to Communal Reconciliation CHAPTER FOUR. Reenvisioning the Hero: American Oedipus 1. Oedipus as Scapegoat 2. Plagues 3. Theban Cycles 4. Deconstructing Fatality 5. Abandonment CHAPTER FIVE. Reimagining Medea as American Other 1. Setting the Stage: Nineteenth-Century Medea 2. Medea as Social Critic from the Mid-1930s to the Late 1940s 3. Medea as Ethnic Other from the 1970s to the Present 4. Medea's Divided Self: Drag and Cross-Dressed Performances Epilogue Appendix A. Professional Productions and New Versions of Sophocles' and Euripides' Electras Appendix B. Professional Productions and New Versions of Antigone Appendix C. Professional Productions and New Versions of Aeschylus's Persians, Sophocles' Ajax, and Aeschylus's Prometheus Bound Appendix D. Professional Productions and New Versions of Oedipus Tyrannus Appendix E. Professional Productions and New Versions of Euripides' Medea Appendix F. Professional Productions and New Versions of Euripides' Iphigeneia in Aulis and Iphigeneia in Tauris Appendix G. Other Professional Productions and New Versions Notes References Index