Raymond Roussel and the Republic of DreamsHardback
List price $67.47
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- Publisher: Cornell University Press
- Format: Hardback | 288 pages
- Dimensions: 144mm x 218mm x 28mm | 420g
- Publication date: 1 December 2000
- Publication City/Country: Ithaca
- ISBN 10: 0801438640
- ISBN 13: 9780801438646
- Edition statement: New.
- Illustrations note: 20
- Sales rank: 197,934
Raymond Roussel, one of the most outlandishly compelling literary figures of modern times, died in mysterious circumstances at the age of fifty-six in 1933. The story Mark Ford tells about Roussel's life and work is at once captivating, heartbreaking, and almost beyond belief. Could even Proust or Nabokov have invented a character as strange and memorable as the exquisite dandy and graphomaniac this book brings to life?Roussel's poetry, novels, and plays influenced the work of many well-known writers and artists: Jean Cocteau found in him "genius in its pure state," while Salvador Dali, who died with a copy of Roussel's Impressions d'Afrique on his bedside table, believed him to be one of France's greatest writers ever. Edmond Rostand, Marcel Duchamp, Andre Breton, Michel Foucault, and Alain Robbe-Grillet all testified to the power of his unique imagination.By any standards, Roussel led an extraordinary life. Tremendously wealthy, he took two world tours during which he hardly left his hotel rooms. He never wore his clothes more than twice, and generally avoided conversation because he dreaded that it might turn morbid. Ford, himself a poet, traces the evolution of Roussel's bizarre compositional methods and describes the idiosyncrasies of a life structured as obsessively as Roussel structured his writing."
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"Ford neatly exposes the hidden machinations that produced Roussel's jumbled texts, while credibly linking his literary seclusion with the social isolation that his excessive wealth, clandestine homosexuality and delusional ambitions engendered. . . Through Ford's focused interpretations, the reader may appreciate the vivacity of Roussel's grotesque verbal sculptures, which contain a seemingly infinite proliferation of potential meanings." Publishers Weekly, December 2000"