Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and HoccleveHardback
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- Publisher: University of Chicago Press
- Format: Hardback | 248 pages
- Dimensions: 163mm x 226mm x 28mm | 612g
- Publication date: 11 May 2013
- Publication City/Country: Chicago, IL
- ISBN 10: 022601584X
- ISBN 13: 9780226015842
Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work's sociopolitical heft and meaning. In "Practicing Literary Theory in the Middle Ages", Eleanor Johnson reveals that aesthetics - the formal aspects of literary language that make it senseperceptible - are indeed inextricable from ethics in the writing of medieval literature. Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius - specifically his famous prison text, "Consolation of Philosophy" - to the late-medieval English tradition. Johnson argues that Boethius' text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts - including Chaucer's "Troilus and Criseyde and portions of the Canterbury Tales", Thomas Usk's "Testament of Love", John Gower's "Confessio Amantis", and Thomas Hoccleve's autobiographical poetry - and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.
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Eleanor Johnson is assistant professor of English and comparative literature at Columbia University.
"Eleanor Johnson is a kind of literary-critical mechanic, revealing with brilliance and skill how particular formal and rhetorical elements work discretely and together to shape the readerly process - not for its own sake, but for the larger premodern project of personal ethical transformation. The research is first-rate and the arguments are original. The book will have an immediate and lasting effect on the study of medieval literature." (Bruce Holsinger, University of Virginia)"