Pop Art and Vernacular Cultures

Pop Art and Vernacular Cultures

Paperback Annotating Art's Histories

Edited by Kobena Mercer

$23.00
List price $29.77
You save $6.77 22% off

Free delivery worldwide
Available
Dispatched in 2 business days
When will my order arrive?

  • Publisher: MIT Press
  • Format: Paperback | 232 pages
  • Dimensions: 180mm x 236mm x 20mm | 703g
  • Publication date: 30 September 2007
  • Publication City/Country: Cambridge, Mass.
  • ISBN 10: 0262633507
  • ISBN 13: 9780262633505
  • Illustrations note: 27 color illus.
  • Sales rank: 1,528,574

Product description

How does pop art translate across cultures? What does pop art look like through a postcolonial lens? In the global marketplace of images, artists have long challenged the discourse of officialdom by turning to dissident elements in the languages of vernacular culture. This volume casts new light on the aesthetics and politics of pop by taking a cross-cultural perspective on what happens when everyday objects are taken out of one context and repositioned in the language of art. Pop Art and Vernacular Cultures examines practices that range from the recycling of consumerist waste in Chicano "rasquachismo" to the painterly pastiche of Hindu "photo-gods," exploring the semiotic transformations that arise when art reveals unexpected antagonisms in the social life of images. Showing how boundaries marking "high" and "low" are further corroded by strategies that question categories of "folk," "nation," and "people" in the global culture of modernity, this book breaks new ground in understanding pop art's ambiguous reaction to (and compliance with) the dynamics of high capitalism. When Mao goes pop, should we see the results as avant-garde, anti-modern, or postmodern? Who "owns" popular culture in South Africa or Brazil? The critical revision proposed by this third volume in the Annotating Art's Histories series dramatically expands the world map of the period from which our definitions of contemporary art are drawn.Kobena Mercer is a writer and critic living in London. He is the editor of Cosmopolitan Modernisms and Discrepant Abstraction (both published by MIT Press), author of Welcome to the Jungle: New Positions in Black Cultural Studies, and an inaugural recipient of the Clark Prize for Excellence in Arts Writing, presented by the Sterling and Francine Clark Art Institute.

Other people who viewed this bought:

Showing items 1 to 10 of 10

Other books in this category

Showing items 1 to 11 of 11
Categories:

Author information

Kobena Mercer is a writer and critic living in London. He is the editor of Pop Art and Vernacular Cultures, Cosmopolitan Modernisms, and Discrepant Abstraction (all published by The MIT Press and inIVA), author of Welcome to the Jungle: New Positions in Black Cultural Studies, and an inaugural recipient of the Clark Prize for Excellence in Arts Writing, presented by the Sterling and Francine Clark Art Institute.