Pilgrim Hawk: A Love Story

Pilgrim Hawk: A Love Story

Paperback New York Review Books Classics

By (author) Glenway Wescott, Introduction by Michael Cunningham

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  • Publisher: NYRB Classics
  • Format: Paperback | 136 pages
  • Dimensions: 127mm x 201mm x 13mm | 45g
  • Publication date: 25 October 2011
  • Publication City/Country: New York
  • ISBN 10: 1590174577
  • ISBN 13: 9781590174579
  • Edition statement: Reprint
  • Sales rank: 235,184

Product description

This powerful short novel describes the events of a single afternoon. Alwyn Towers, an American expatriate and sometime novelist, is staying with a friend outside of Paris, when a well-heeled, itinerant Irish couple drops in-with Lucy, their trained hawk, a restless, sullen, disturbingly totemic presence. Lunch is prepared, drink flows. A masquerade, at once harrowing and farcical, begins. A work of classical elegance and concision, The Pilgrim Hawk stands with Faulkner's The Bear as one of the finest American short novels: a beautifully crafted story that is also a poignant evocation of the implacable power of love.

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Author information

Glenway Wescott (1901-1987) was the author of the novels The Grandmothers and Apartment in Athens, in addition to several collections of stories and essays. His life-as revealed in his published journals and a joint biography of him and his lover, Monroe Wheeler-has been the subject of increasing interest in recent years. Michael Cunningham is the author of the novels A Home at the End of the World, Flesh and Blood, The Hours (winner of the Pen/Faulkner Award and Pulitzer Prize), and Specimen Days. He lives in New York.

Review quote

"Among this century's finest English-language novellas." --Samuel R. Delaney "The ever-astonishing "Pilgrim Hawk" belongs, in my view, among the treasures of twentieth-century American literature, however untypical are its sleek, subtle vocabulary, the density of its attention to character, its fastidious pessimism, and the clipped worldliness of its point of view." --Susan Sontag "[Wescott's] pulling of the rug of surety from under the reader's feet is nothing less than what happens to a person proceeding through life. [In the book] I find a deeper, sadder truth: the truth of never being able to get to the bottom of it, of any of it. Of love. Of marriage. Of sex. Of this life itself, so full of appetite and thinking." --Jeffrey Eugenides, "Lost Classics " "The reader is constantly being repositioned, constantly being forced to see something he didn't quite see before. Mr. Wescott's world is self-contained and precarious, and like the real one, endlessly f