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    The Passage (Paperback) By (author) Justin Cronin

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    DescriptionIt’s called Project NOAH: a secret government experiment designed to weaponize the human body. But the experiment goes horribly awry when twelve test subjects escape, spreading a virus that turns human beings into something else—something hungrier, deadlier, and seemingly indestructible. The thirteenth test subject, a six-year-old girl, is rescued by an FBI agent. Together they flee to the mountains of Oregon, cut off from civilization as the disastrous repercussions of Project NOAH are unleashed upon the world.

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    The Passage
    Authors and contributors
    By (author) Justin Cronin
    Physical properties
    Format: Paperback
    Number of pages: 879
    Width: 106 mm
    Height: 174 mm
    Thickness: 40 mm
    Weight: 440 g
    ISBN 13: 9780345525222
    ISBN 10: 0345525221

    Libri: ENGM1010
    Warengruppen-Systematik des deutschen Buchhandels: 21110
    Libri: AMER3710
    BISAC V2.8: FIC000000, FIC019000, FIC009020
    Random House Inc.
    Imprint name
    Ballantine Books
    Publication date
    06 January 2011
    Author Information
    Justin Cronin is the author of Mary and O’Neil, which won the PEN/Hemingway Award and the Stephen Crane Prize, and The Summer Guest. Other honors for his writing including a fellowship from the National Endowment for the Arts and a Whiting Writer’s Award. A professor of English at Rice University, he lives with his family in Houston, Texas.
    Review quote
    “Read this book and the ordinary world disappears.”—Stephen King “[A] blockbuster . . . astutely plotted and imaginative.”—The New York Times Book Review “Don’t wait to dive into The Passage. . . . Simmering in the background of this frightening thriller . . . is a heartfelt portrayal of the human capability to fight, endure and hope for a better world.”—USA Today   “Engrossing . . . By the third chapter, trash was piling up in our house because I was too scared to take out the garbage at night.”—Ron Charles, The Washington Post   “Mythic storytelling.”—San Francisco Chronicle